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Vintage Baldwin
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Vintage Baldwin in Bloomington, MN
Current price: $20.00
Vintage Baldwin in Bloomington, MN
Current price: $20.00
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The best of the best from a powerful voice in the American literary landscape who fearlessly tackled race, sex, politics, and art in his internationally acclaimed novels, short stories, plays, and essays.
“[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes
James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American.
Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel
Another Country
and the play The Amen Corner.
“If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje
“[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes
James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American.
Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel
Another Country
and the play The Amen Corner.
“If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje
The best of the best from a powerful voice in the American literary landscape who fearlessly tackled race, sex, politics, and art in his internationally acclaimed novels, short stories, plays, and essays.
“[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes
James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American.
Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel
Another Country
and the play The Amen Corner.
“If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje
“[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes
James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American.
Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel
Another Country
and the play The Amen Corner.
“If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje
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