The Red West in Bloomington, MN

While he was never very interested in accessibility during his short, bittersweet career,
Jeff Buckley
's acolytes usually try to shoehorn his majesty, soul, and meandering sound into a more cohesive frame. On their eponymous
Atlantic
debut, Cali's
the Red West
accomplish this with more success than most, if only because
Jayson Belt
's expressive vocal sway can appropriate some of the feeling in
Buckley
's elegiac voice. The album moves easily between the harder and softer sides of
adult alternative
, with
"Don't Fall In,"
"The Balance,"
and
"Crazy Cold"
embodying the former, more
Buckley-ish
side of things, while the light, shuffling acoustics of
"Twenty-One"
or the singalong
"Days Die"
are closer to California beachfront campfire
rock
. It's an ambitious mixture. Although
The Red West
is filled with hooks, the quartet takes its time getting to them, and takes some routes that might be unfamiliar to the casual listener. The aforementioned
drifts into a crackling fiddle and muted trumpet interlude, while
"Disappear"
rolls along on a surging piano and horn melody. Sometimes, this ambitiousness can be revealed as pretentiousness.
Belt
sometimes gets carried away with the sound of his own voice, and an untitled set break track that seems to ruminate on the relationship between the crowd and the band is aimless and, yes, pretentious. This is accessible
pop
music, after all, and shouldn't be caught up in too much conceptual drama. Luckily,
put most of their ideas into melody and interesting songcraft. The
fan who found
's
Grace
to be beautiful, yet too opaque, should be right at home with
's more obvious version of that searching modern
sound. ~ Johnny Loftus