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The Price of Progress
The Price of Progress in Bloomington, MN
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Size: CD
The Hold Steady
began work on 2023's
The Price of Progress
only a few months after 2021's
Open Door Policy
was delivered to their fans, so it's no great surprise that, in many respects, it feels like a continuation of the earlier album's themes. Then again, both albums follow a blueprint the band has worked with from its inception, anthemic tunes married to dense, character-driven lyrics, and if
the Hold Steady
sound a lot more polished and accomplished in 2023 than on 2004's
Almost Killed Me
, they've gained far more than they've lost in the course of their evolution.
finds them writing and performing at the top of their game. The album offers ten songs about people whose lives are in flux in one way or another -- the guy who stopped going to work but hasn't told his live-in girlfriend ("Carlos Is Crying"), the casual friends who might or might not become lovers ("Sixers"), the gambler hoping a last big bet will bring him into the black ("City at Eleven"), the washed-up rock & rollers telling tall tales about past and future accomplishments ("Sideways Skull"), and the jacked-up football fan who invades the field ("Flyover Halftime").
Craig Finn
has matured into the best short story writer in rock & roll, penning compact tales that are powerfully evocative as his characters wrestle with the circumstances life has dropped them in, and the band matches him brilliantly at every turn, full of nuance on numbers like "Distortions of Faith" or turning up the guitars and letting rip on "Flyover Halftime." The subtle addition of strings, horns, and additional backing vocalists never feels intrusive -- this band has always thought big, but they know how to do so without excess, and even at their most operatic,
Tad Kubler
and
Steve Selvidge
's guitars and
Franz Nicolay
's keyboards can reach for the grand gesture without straining, and
Galen Polivka
's bass and
Bobby Drake
's drumming keep this firmly rooted at all times. At a time when it's easy to feel alienated,
understand, and are smart enough to know they can't fix the world. But they're good-hearted enough to commiserate and talented enough to make the stories well worth hearing, and that's just what they do on
. ~ Mark Deming
began work on 2023's
The Price of Progress
only a few months after 2021's
Open Door Policy
was delivered to their fans, so it's no great surprise that, in many respects, it feels like a continuation of the earlier album's themes. Then again, both albums follow a blueprint the band has worked with from its inception, anthemic tunes married to dense, character-driven lyrics, and if
the Hold Steady
sound a lot more polished and accomplished in 2023 than on 2004's
Almost Killed Me
, they've gained far more than they've lost in the course of their evolution.
finds them writing and performing at the top of their game. The album offers ten songs about people whose lives are in flux in one way or another -- the guy who stopped going to work but hasn't told his live-in girlfriend ("Carlos Is Crying"), the casual friends who might or might not become lovers ("Sixers"), the gambler hoping a last big bet will bring him into the black ("City at Eleven"), the washed-up rock & rollers telling tall tales about past and future accomplishments ("Sideways Skull"), and the jacked-up football fan who invades the field ("Flyover Halftime").
Craig Finn
has matured into the best short story writer in rock & roll, penning compact tales that are powerfully evocative as his characters wrestle with the circumstances life has dropped them in, and the band matches him brilliantly at every turn, full of nuance on numbers like "Distortions of Faith" or turning up the guitars and letting rip on "Flyover Halftime." The subtle addition of strings, horns, and additional backing vocalists never feels intrusive -- this band has always thought big, but they know how to do so without excess, and even at their most operatic,
Tad Kubler
and
Steve Selvidge
's guitars and
Franz Nicolay
's keyboards can reach for the grand gesture without straining, and
Galen Polivka
's bass and
Bobby Drake
's drumming keep this firmly rooted at all times. At a time when it's easy to feel alienated,
understand, and are smart enough to know they can't fix the world. But they're good-hearted enough to commiserate and talented enough to make the stories well worth hearing, and that's just what they do on
. ~ Mark Deming
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