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The Payback
The Payback in Bloomington, MN
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Size: CD
Originally released in 1973 as a sprawling two-LP set,
The Payback
was one of
James Brown
's most ambitious albums of the 1970s, and also one of his best, with
Brown
and his band (which in 1974 still included
Fred Wesley
,
Maceo Parker
St. Clair Pinckney
Jimmy Nolen
, and
Jabo Starks
) relentlessly exploring the outer possibilities of the
groove. Stretching eight cuts out over the space of nearly 73 minutes,
is long on extended rhythmic jamming, and by this time,
and his band had become such a potent and nearly telepathic combination that the musicians were able pull out lengthy solos while still maintaining some of the most hypnotic funk to be found anywhere, and on the album's best songs -- the jazzy
"Time Is Running Out Fast,"
the relentless
"Shoot Your Shot,"
the tight-wound
"Mind Power,"
and the bitter revenge fantasy of the title cut -- the tough, sinuous rhythms and the precise interplay between the players is nothing short of a wonder to behold. And even the album's lower-key cuts (such as the lovelorn
"Doing the Best That I Can"
and
"Forever Suffering"
) sink their hooks into the listener and pull you in; quite simply, this is remarkable stuff, and even
's attempts at lyrical relevance (which were frankly getting a bit shaky at this point in his career) are firmly rooted enough to sound convincing.
turned out to be one of
's last inarguably great albums before he hit a long fallow streak in the mid- to late 70's, but no one listening to this set would ever imagine that this was the work of an artist (or a band) about to run out of gas. [
was re-released on LP in 2014.] ~ Mark Deming
The Payback
was one of
James Brown
's most ambitious albums of the 1970s, and also one of his best, with
Brown
and his band (which in 1974 still included
Fred Wesley
,
Maceo Parker
St. Clair Pinckney
Jimmy Nolen
, and
Jabo Starks
) relentlessly exploring the outer possibilities of the
groove. Stretching eight cuts out over the space of nearly 73 minutes,
is long on extended rhythmic jamming, and by this time,
and his band had become such a potent and nearly telepathic combination that the musicians were able pull out lengthy solos while still maintaining some of the most hypnotic funk to be found anywhere, and on the album's best songs -- the jazzy
"Time Is Running Out Fast,"
the relentless
"Shoot Your Shot,"
the tight-wound
"Mind Power,"
and the bitter revenge fantasy of the title cut -- the tough, sinuous rhythms and the precise interplay between the players is nothing short of a wonder to behold. And even the album's lower-key cuts (such as the lovelorn
"Doing the Best That I Can"
and
"Forever Suffering"
) sink their hooks into the listener and pull you in; quite simply, this is remarkable stuff, and even
's attempts at lyrical relevance (which were frankly getting a bit shaky at this point in his career) are firmly rooted enough to sound convincing.
turned out to be one of
's last inarguably great albums before he hit a long fallow streak in the mid- to late 70's, but no one listening to this set would ever imagine that this was the work of an artist (or a band) about to run out of gas. [
was re-released on LP in 2014.] ~ Mark Deming
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