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the Conspiracy of Feelings and Little Theatre Green Goose
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the Conspiracy of Feelings and Little Theatre Green Goose in Bloomington, MN
Current price: $120.00
the Conspiracy of Feelings and Little Theatre Green Goose in Bloomington, MN
Current price: $120.00
Loading Inventory...
Size: Hardcover
Two outstanding examples of socialist-themed plays are combined in this remarkable volume.
The Conspiracy of Feelings
by Yurii Olesha (1899-1960) is based on his highly respected short novel
Envy
about the struggle between the old and new in Soviet society. The play, called
, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state.
The Little Theatre of The Green Goose
was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of
The Little Theatre of the Green Goose
each week to Przekroj, the Cracow literary magazine. Intended for reading only,
The Green Goose
went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
The Conspiracy of Feelings
by Yurii Olesha (1899-1960) is based on his highly respected short novel
Envy
about the struggle between the old and new in Soviet society. The play, called
, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state.
The Little Theatre of The Green Goose
was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of
The Little Theatre of the Green Goose
each week to Przekroj, the Cracow literary magazine. Intended for reading only,
The Green Goose
went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
Two outstanding examples of socialist-themed plays are combined in this remarkable volume.
The Conspiracy of Feelings
by Yurii Olesha (1899-1960) is based on his highly respected short novel
Envy
about the struggle between the old and new in Soviet society. The play, called
, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state.
The Little Theatre of The Green Goose
was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of
The Little Theatre of the Green Goose
each week to Przekroj, the Cracow literary magazine. Intended for reading only,
The Green Goose
went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
The Conspiracy of Feelings
by Yurii Olesha (1899-1960) is based on his highly respected short novel
Envy
about the struggle between the old and new in Soviet society. The play, called
, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state.
The Little Theatre of The Green Goose
was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of
The Little Theatre of the Green Goose
each week to Przekroj, the Cracow literary magazine. Intended for reading only,
The Green Goose
went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
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