A handsome new edition of the seminal collection of late twentieth-century cultural criticism,
The Anti-Aesthetic
was named a Best Book of the Year by the
Village Voice
and considered a bible of contemporary cultural criticism.
For the past twenty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. In
, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages.
provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism.