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Tales of Fearful Forests and Wicked Woods - Short Stories of What Lurks in the Deep Dark Places (Fantasy and Horror Classics)
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Tales of Fearful Forests and Wicked Woods - Short Stories of What Lurks in the Deep Dark Places (Fantasy and Horror Classics) in Bloomington, MN
Current price: $28.99
Tales of Fearful Forests and Wicked Woods - Short Stories of What Lurks in the Deep Dark Places (Fantasy and Horror Classics) in Bloomington, MN
Current price: $28.99
Loading Inventory...
Size: OS
Beyond the treeline lies the ancient, hungry darkness.
This spine-chilling collection takes readers into the heart of the forest--a realm of primal horror, forgotten folklore, and shape-shifting beasts. Spanning the European continent and its ancient myths, these short stories explore the terror that takes hold when civilisation gives way to the deep, wild places.
Werewolves and Lycanthropic Dread:
The volume is dominated by the terrifying motif of the wolf and the werewolf, exploring the dark connection between man and beast:
Gabriel-Ernest
by Hector Hugh Munro (Saki):
A classic piece of Edwardian menace, where the unsettling charm and unnatural grace of a youth hint at a cold, predatory
were-beast
beneath a civil exterior.
The White Wolf of the Hartz Mountains
by Frederick Marryat:
A grim Gothic tale that uses the German forest setting to explore the psychological and supernatural terror of lycanthropy.
The White Wolf of Kostopchin
by Gilbert Campbell:
A story steeped in Eastern European legend, detailing a savage and relentless form of the werewolf curse.
The Boy and the Wolves or, The Broken Promise
by Andrew Lang:
A story drawn from folklore, emphasizing the moral and often fatal consequences of betrayal when dealing with nature's predators.
Among the Wolves
by Vasile Voiculescu:
A contribution that grounds the terror in the specific, chilling folklore of the Romanian forests, a land rich in werewolf myth.
Other tales delve into pure supernatural and Gothic horror rooted in deep forests and remote locations:
The Midnight Embrace
by Matthew Lewis:
From the author of the notorious Gothic novel
The Monk
, this piece promises a scene of intense, atmospheric dread and a potentially demonic or spectral encounter.
The Demon of the Hartz or, The Three Charcoal Burners
by Thomas Peckett Prest:
A melodramatic, pulp-era Gothic story set in Germany's Harz Mountains, involving diabolical pacts and folkloric entities.
The Necromancer
by Lawrence Flammenberg:
A classic work of German Schauerroman (shudder novel), this tale focuses on black magic, dark rituals, and the violation of the grave.
The Thing in the Forest
by Bernard Capes:
A subtle and unsettling piece that uses the dense forest as a backdrop for a mysterious, non-human horror--the quintessential "thing that should not be.
This collection is a terrifying reminder that the greatest wilderness is not just geographical, but supernatural, and the woods are always waiting.
This spine-chilling collection takes readers into the heart of the forest--a realm of primal horror, forgotten folklore, and shape-shifting beasts. Spanning the European continent and its ancient myths, these short stories explore the terror that takes hold when civilisation gives way to the deep, wild places.
Werewolves and Lycanthropic Dread:
The volume is dominated by the terrifying motif of the wolf and the werewolf, exploring the dark connection between man and beast:
Gabriel-Ernest
by Hector Hugh Munro (Saki):
A classic piece of Edwardian menace, where the unsettling charm and unnatural grace of a youth hint at a cold, predatory
were-beast
beneath a civil exterior.
The White Wolf of the Hartz Mountains
by Frederick Marryat:
A grim Gothic tale that uses the German forest setting to explore the psychological and supernatural terror of lycanthropy.
The White Wolf of Kostopchin
by Gilbert Campbell:
A story steeped in Eastern European legend, detailing a savage and relentless form of the werewolf curse.
The Boy and the Wolves or, The Broken Promise
by Andrew Lang:
A story drawn from folklore, emphasizing the moral and often fatal consequences of betrayal when dealing with nature's predators.
Among the Wolves
by Vasile Voiculescu:
A contribution that grounds the terror in the specific, chilling folklore of the Romanian forests, a land rich in werewolf myth.
Other tales delve into pure supernatural and Gothic horror rooted in deep forests and remote locations:
The Midnight Embrace
by Matthew Lewis:
From the author of the notorious Gothic novel
The Monk
, this piece promises a scene of intense, atmospheric dread and a potentially demonic or spectral encounter.
The Demon of the Hartz or, The Three Charcoal Burners
by Thomas Peckett Prest:
A melodramatic, pulp-era Gothic story set in Germany's Harz Mountains, involving diabolical pacts and folkloric entities.
The Necromancer
by Lawrence Flammenberg:
A classic work of German Schauerroman (shudder novel), this tale focuses on black magic, dark rituals, and the violation of the grave.
The Thing in the Forest
by Bernard Capes:
A subtle and unsettling piece that uses the dense forest as a backdrop for a mysterious, non-human horror--the quintessential "thing that should not be.
This collection is a terrifying reminder that the greatest wilderness is not just geographical, but supernatural, and the woods are always waiting.
Beyond the treeline lies the ancient, hungry darkness.
This spine-chilling collection takes readers into the heart of the forest--a realm of primal horror, forgotten folklore, and shape-shifting beasts. Spanning the European continent and its ancient myths, these short stories explore the terror that takes hold when civilisation gives way to the deep, wild places.
Werewolves and Lycanthropic Dread:
The volume is dominated by the terrifying motif of the wolf and the werewolf, exploring the dark connection between man and beast:
Gabriel-Ernest
by Hector Hugh Munro (Saki):
A classic piece of Edwardian menace, where the unsettling charm and unnatural grace of a youth hint at a cold, predatory
were-beast
beneath a civil exterior.
The White Wolf of the Hartz Mountains
by Frederick Marryat:
A grim Gothic tale that uses the German forest setting to explore the psychological and supernatural terror of lycanthropy.
The White Wolf of Kostopchin
by Gilbert Campbell:
A story steeped in Eastern European legend, detailing a savage and relentless form of the werewolf curse.
The Boy and the Wolves or, The Broken Promise
by Andrew Lang:
A story drawn from folklore, emphasizing the moral and often fatal consequences of betrayal when dealing with nature's predators.
Among the Wolves
by Vasile Voiculescu:
A contribution that grounds the terror in the specific, chilling folklore of the Romanian forests, a land rich in werewolf myth.
Other tales delve into pure supernatural and Gothic horror rooted in deep forests and remote locations:
The Midnight Embrace
by Matthew Lewis:
From the author of the notorious Gothic novel
The Monk
, this piece promises a scene of intense, atmospheric dread and a potentially demonic or spectral encounter.
The Demon of the Hartz or, The Three Charcoal Burners
by Thomas Peckett Prest:
A melodramatic, pulp-era Gothic story set in Germany's Harz Mountains, involving diabolical pacts and folkloric entities.
The Necromancer
by Lawrence Flammenberg:
A classic work of German Schauerroman (shudder novel), this tale focuses on black magic, dark rituals, and the violation of the grave.
The Thing in the Forest
by Bernard Capes:
A subtle and unsettling piece that uses the dense forest as a backdrop for a mysterious, non-human horror--the quintessential "thing that should not be.
This collection is a terrifying reminder that the greatest wilderness is not just geographical, but supernatural, and the woods are always waiting.
This spine-chilling collection takes readers into the heart of the forest--a realm of primal horror, forgotten folklore, and shape-shifting beasts. Spanning the European continent and its ancient myths, these short stories explore the terror that takes hold when civilisation gives way to the deep, wild places.
Werewolves and Lycanthropic Dread:
The volume is dominated by the terrifying motif of the wolf and the werewolf, exploring the dark connection between man and beast:
Gabriel-Ernest
by Hector Hugh Munro (Saki):
A classic piece of Edwardian menace, where the unsettling charm and unnatural grace of a youth hint at a cold, predatory
were-beast
beneath a civil exterior.
The White Wolf of the Hartz Mountains
by Frederick Marryat:
A grim Gothic tale that uses the German forest setting to explore the psychological and supernatural terror of lycanthropy.
The White Wolf of Kostopchin
by Gilbert Campbell:
A story steeped in Eastern European legend, detailing a savage and relentless form of the werewolf curse.
The Boy and the Wolves or, The Broken Promise
by Andrew Lang:
A story drawn from folklore, emphasizing the moral and often fatal consequences of betrayal when dealing with nature's predators.
Among the Wolves
by Vasile Voiculescu:
A contribution that grounds the terror in the specific, chilling folklore of the Romanian forests, a land rich in werewolf myth.
Other tales delve into pure supernatural and Gothic horror rooted in deep forests and remote locations:
The Midnight Embrace
by Matthew Lewis:
From the author of the notorious Gothic novel
The Monk
, this piece promises a scene of intense, atmospheric dread and a potentially demonic or spectral encounter.
The Demon of the Hartz or, The Three Charcoal Burners
by Thomas Peckett Prest:
A melodramatic, pulp-era Gothic story set in Germany's Harz Mountains, involving diabolical pacts and folkloric entities.
The Necromancer
by Lawrence Flammenberg:
A classic work of German Schauerroman (shudder novel), this tale focuses on black magic, dark rituals, and the violation of the grave.
The Thing in the Forest
by Bernard Capes:
A subtle and unsettling piece that uses the dense forest as a backdrop for a mysterious, non-human horror--the quintessential "thing that should not be.
This collection is a terrifying reminder that the greatest wilderness is not just geographical, but supernatural, and the woods are always waiting.
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