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Sources and Serendipity: Testimonies of Artists' Practice
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Sources and Serendipity: Testimonies of Artists' Practice in Bloomington, MN
Current price: $85.00

Sources and Serendipity: Testimonies of Artists' Practice in Bloomington, MN
Current price: $85.00
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Size: OS
The primary
aim of the ATSR Working Group is to establish a focus for historical documentary source research and reconstructions on art materials and techniques. Documentary source research is often an essential component of conservation research, or art historical research. Reconstructions, a natural follow-on from the collection of information on materials and their use, can form an invaluable tool. This publication is a collection of papers from the third symposium of the Art Technological Source Research Working Group held in 2008. The papers centre on the exploration of artists' practice from a wide range of disciplines and periods, as recorded in visual and written testimonies; from treatises and manuals to correspondence, ledgers, diaries and journals, as well as images such as paintings, prints, photographs and film.
aim of the ATSR Working Group is to establish a focus for historical documentary source research and reconstructions on art materials and techniques. Documentary source research is often an essential component of conservation research, or art historical research. Reconstructions, a natural follow-on from the collection of information on materials and their use, can form an invaluable tool. This publication is a collection of papers from the third symposium of the Art Technological Source Research Working Group held in 2008. The papers centre on the exploration of artists' practice from a wide range of disciplines and periods, as recorded in visual and written testimonies; from treatises and manuals to correspondence, ledgers, diaries and journals, as well as images such as paintings, prints, photographs and film.
The primary
aim of the ATSR Working Group is to establish a focus for historical documentary source research and reconstructions on art materials and techniques. Documentary source research is often an essential component of conservation research, or art historical research. Reconstructions, a natural follow-on from the collection of information on materials and their use, can form an invaluable tool. This publication is a collection of papers from the third symposium of the Art Technological Source Research Working Group held in 2008. The papers centre on the exploration of artists' practice from a wide range of disciplines and periods, as recorded in visual and written testimonies; from treatises and manuals to correspondence, ledgers, diaries and journals, as well as images such as paintings, prints, photographs and film.
aim of the ATSR Working Group is to establish a focus for historical documentary source research and reconstructions on art materials and techniques. Documentary source research is often an essential component of conservation research, or art historical research. Reconstructions, a natural follow-on from the collection of information on materials and their use, can form an invaluable tool. This publication is a collection of papers from the third symposium of the Art Technological Source Research Working Group held in 2008. The papers centre on the exploration of artists' practice from a wide range of disciplines and periods, as recorded in visual and written testimonies; from treatises and manuals to correspondence, ledgers, diaries and journals, as well as images such as paintings, prints, photographs and film.

















