Simon Frith has been one of the most important figures in the emergence and subsequent development of popular music studies. The contributions to this volume of essays and memoirs seek to honour Frith’s achievements, but they are not merely ‘about Frith’. Rather, they are important interventions by leading scholars in the field, including Robert Christgau, Antoine Hennion, Peter J. Martin and Philip Tagg. This volume will become an essential resource for those working in popular music studies, as well as in musicology, sociology and cultural and media studies.