Libertango

Part of 's appeal -- besides her huge ability on both accordion and fiddle -- is her willingness to ignore musical boundaries and color outside the liens, as she's shown on previous albums. With she does that, but this time the results aren't as successful as they've been in the past. The opener, mixes her playing with a brass section in a combination that works surprisingly well, then she goes and ruins the moment with a dour take on the chestnut that never makes it off the ground. sings on a couple of cuts, and a vocal from the late graces a superb version of 's title cut (which originally saw the light of day in 1996). Perhaps the strangest, and certainly most intriguing, cut is featuring , a Gaelic language piece about the suffering of the Palestinians. Heartfelt as it is, the happy instrumental accompaniment is strikingly at odds with the subject. Then the closer, brings in rapper ; nice idea, and it works better than it should. So, ultimately, a hit-and-miss grab bag from . But she can never be accused of complacency, and for every experiment that doesn't work, there's one that does. ~ Chris Nickson