By the time of
Japan Today
,
the U.K. Subs
were attempting to forge a new style, mixing their classic
R&B-punk
sound with the sleek roar of '80s
hard rock
. The result was a hodgepodge. Sometimes, as on
"Japan Inc."
and "Comin' Back," the mix works perfectly. Other times, such as on
"Skateboard Billy"
and
"Sex Object,"
the band attempt to return to the snickering wit of their earlier records, but the ham-fisted music smothers the humor. On some tracks, the band even sound in danger of becoming a rather generic
outfit. (
"Angel"
sounds like a lesser
AC/DC
song). Musically, the band expands their sound into realms never even considered.
"Thunderbird,"
an ode to cheap wine, mixes Irish fiddles with their trademark pummeling guitars, and
"Surf Bastard"
is patterned after
Jan & Dean
. The tracks are charming enough, but lack the sting of earlier
Subs
classics. What's more, the attempts at humor seem more out of place here. On earlier
albums, the jokes served to balance the band's occasionally strident politics, but here the humor serves as no counterpoint, since the
tracks are saddled with nondescript lyrics.
isn't really a bad album -- it's superbly played, well-written
guitar rock
-- but compared to earlier
classics, it's something of a letdown. ~ Victor W. Valdivia