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I Imagine I Been Science Fiction Always
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I Imagine I Been Science Fiction Always in Bloomington, MN
Current price: $30.00
I Imagine I Been Science Fiction Always in Bloomington, MN
Current price: $30.00
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a Best Book of 2025 by the New York Public Library
On the heels of
Sho
(winner, Griffin Poetry Prize) and
Optic Subwoof
(Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece,
I Imagine I Been Science Fiction Always
, pushes further into Kearney's longtime practices of performance typography, collaging preexisting media sources to create singular, multiplicitous texts that defy neat categorization.
Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as selfdefense, the transhistoric emancipatory logics of the preposition over, AnarchoBlack temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow. Engaging a rich history of visual poetics,
almost predicts its endurance as a visionary work of genius.
On the heels of
Sho
(winner, Griffin Poetry Prize) and
Optic Subwoof
(Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece,
I Imagine I Been Science Fiction Always
, pushes further into Kearney's longtime practices of performance typography, collaging preexisting media sources to create singular, multiplicitous texts that defy neat categorization.
Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as selfdefense, the transhistoric emancipatory logics of the preposition over, AnarchoBlack temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow. Engaging a rich history of visual poetics,
almost predicts its endurance as a visionary work of genius.
a Best Book of 2025 by the New York Public Library
On the heels of
Sho
(winner, Griffin Poetry Prize) and
Optic Subwoof
(Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece,
I Imagine I Been Science Fiction Always
, pushes further into Kearney's longtime practices of performance typography, collaging preexisting media sources to create singular, multiplicitous texts that defy neat categorization.
Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as selfdefense, the transhistoric emancipatory logics of the preposition over, AnarchoBlack temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow. Engaging a rich history of visual poetics,
almost predicts its endurance as a visionary work of genius.
On the heels of
Sho
(winner, Griffin Poetry Prize) and
Optic Subwoof
(Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece,
I Imagine I Been Science Fiction Always
, pushes further into Kearney's longtime practices of performance typography, collaging preexisting media sources to create singular, multiplicitous texts that defy neat categorization.
Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as selfdefense, the transhistoric emancipatory logics of the preposition over, AnarchoBlack temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow. Engaging a rich history of visual poetics,
almost predicts its endurance as a visionary work of genius.
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