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House of Flowers (Original Broadway Cast Recording)

House of Flowers (Original Broadway Cast Recording) in Bloomington, MN

Current price: $14.99
Get it at Barnes and Noble
House of Flowers (Original Broadway Cast Recording)

House of Flowers (Original Broadway Cast Recording) in Bloomington, MN

Current price: $14.99
Loading Inventory...

Size: OS

Get it at Barnes and Noble
House of Flowers
, based on a celebrated
Truman Capote
novella about love in a brothel in the West Indies, failed as a Broadway musical, running only 165 performances from its opening on December 30, 1954. But the cast album, featuring
Pearl Bailey
,
Diahann Carroll
, and
Juanita Hall
, turned the show into a Broadway legend because it preserved one of
Harold Arlen
's best scores. Legendary backstage arguments among the principals may have resulted in a production that didn't work in the theater, but you wouldn't have known that from the music, which included the lovely
"A Sleepin' Bee,"
"Two Ladies in de Shade of de Banana Tree"
(performed by
Ada Moore
and
Enid Mosier
), and
"I Never Has Seen Snow."
The irrepressible
Bailey
is really just her usual extroverted self, breaking out of character in
"One Man (Ain't Quite Enough)"
to announce that there hasn't been time to write the "ad libs" she was supposed to be singing at one point in the song. The young
Carroll
, in contrast, is delicate and sensitive as the ingenue.
Capote
's lyrics are serviceable, but
Arlen
's music, typically bluesy, takes on Caribbean elements and works as a whole piece as much as it does in its individual songs. As a result,
did not become one of those forgotten Broadway flops; it was remembered as one of Broadway's legendary failures in which great talents did not mange to create a masterpiece that could have been. The cast album was the record of that elusive masterpiece and remains a classic. The 2003 CD reissue uses expanded versions of the tracks
"Mardi Gras Waltz"
"Slide, Boy, Slide,"
and adds four bonus tracks.
Percy Faith
's rendition of
Mosier
's solo recording of
were released on albums around the same time as the cast album.
reads the portion of his novella that inspired
"A Sleepin' Bee."
And in a fascinating taped "memo,"
sets down his early musical ideas for that song. ~ William Ruhlmann
House of Flowers
, based on a celebrated
Truman Capote
novella about love in a brothel in the West Indies, failed as a Broadway musical, running only 165 performances from its opening on December 30, 1954. But the cast album, featuring
Pearl Bailey
,
Diahann Carroll
, and
Juanita Hall
, turned the show into a Broadway legend because it preserved one of
Harold Arlen
's best scores. Legendary backstage arguments among the principals may have resulted in a production that didn't work in the theater, but you wouldn't have known that from the music, which included the lovely
"A Sleepin' Bee,"
"Two Ladies in de Shade of de Banana Tree"
(performed by
Ada Moore
and
Enid Mosier
), and
"I Never Has Seen Snow."
The irrepressible
Bailey
is really just her usual extroverted self, breaking out of character in
"One Man (Ain't Quite Enough)"
to announce that there hasn't been time to write the "ad libs" she was supposed to be singing at one point in the song. The young
Carroll
, in contrast, is delicate and sensitive as the ingenue.
Capote
's lyrics are serviceable, but
Arlen
's music, typically bluesy, takes on Caribbean elements and works as a whole piece as much as it does in its individual songs. As a result,
did not become one of those forgotten Broadway flops; it was remembered as one of Broadway's legendary failures in which great talents did not mange to create a masterpiece that could have been. The cast album was the record of that elusive masterpiece and remains a classic. The 2003 CD reissue uses expanded versions of the tracks
"Mardi Gras Waltz"
"Slide, Boy, Slide,"
and adds four bonus tracks.
Percy Faith
's rendition of
Mosier
's solo recording of
were released on albums around the same time as the cast album.
reads the portion of his novella that inspired
"A Sleepin' Bee."
And in a fascinating taped "memo,"
sets down his early musical ideas for that song. ~ William Ruhlmann

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