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Harry Potter and the Philosopher's Stone [Original Soundtrack]
Harry Potter and the Philosopher's Stone [Original Soundtrack]

Harry Potter and the Philosopher's Stone [Original Soundtrack] in Bloomington, MN

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As a fan of
J.K. Rowling
's massively popular
Harry Potter
books and the composer of some of the best fantasy/sci-fi film scores,
John Williams
was a natural choice to write the music for
Chris Columbus
' film adaptation of
Harry Potter and the Sorcerer's Stone
. His score captures the childhood mischief, magic, and adventure of the film and the books, mixing winding, soaring melodies with instrumentation that spans the delicately spooky to the darkly majestic. However, his work here won't necessarily dispel
Williams
' reputation as an occasionally light-fingered composer: one of the score's main motifs, a light-as-a-cobweb celesta melody most clearly stated in
"The Arrival of Baby Harry"
and
"Hedwig's Theme,"
recalls the work of both
Danny Elfman
Tchaikovsky
, while some of the other melodies sound like they're just a few notes away from themes in his own
Hook
Star Wars
scores.
's score also tends to repeat these main themes a little too often; fortunately they're reinterpreted fairly creatively from piece to piece.
"Harry's Wondrous World"
"Visit to the Zoo and Letters from Hogwarts"
are sweeping and lighthearted, while
"In the Devil's Snare and the Flying Keys,"
"The Chess Game,"
"The Face of Voldemort"
close the score with a trio of menacing, climactic musical cues. In between are pretty, delicate moments like
"Fluffy's Harp"
and whimsical pieces like
"Christmas at Hogwarts,"
which manages to combine the festive, carol-esque melody with the atmosphere of a school for witches and wizards. The pomp and circumstance of
"The Quidditch Match"
is probably the score's most typically
composition; a thrilling mix of his heroic style and the rest of the music's spooky, supernatural feel. Not surprisingly, considering that
runs nearly three hours long,
' score is on the long side, making it somewhat difficult to take in outside of the film's context. While it may not be one of his most inspired works, it's never less than perfectly appropriate and does include some brilliant moments. ~ Heather Phares
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