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Forefathers' Eve
Forefathers' Eve in Bloomington, MN
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Forefathers' Eve
[
Dziady
] is a four-part dramatic work begun circa 1820 and completed in 1832 - with Part I published only after the poet's death, in 1860. The drama's title refers to
, an ancient Slavic and Lithuanian feast commemorating the dead. This is the grand work of Polish literature, and it is one that elevates Mickiewicz to a position among the "great Europeans" such as Dante and Goethe.
With its Christian background of the Communion of the Saints, revenant spirits, and the interpenetration of the worlds of time and eternity,
speaks to men and women of all times and places. While it is a truly Polish work - Polish actors covet the role of Gustaw/Konrad in the same way that Anglophone actors covet that of Hamlet - it is one of the most universal works of literature written during the nineteenth century. It has been compared to Goethe's
Faust
- and rightfully so.
initiated the great contribution of Poland to world theatre: Monumental Drama, which stretches from him through Stanislaw Wyspiański to Tadeusz Kantor in our own day and age.
The present translation of Adam Mickiewicz's
is the first complete verse translation of the cycle published in English. It has been put to use in its entirety by the Teatr Polski in Wroclaw, and partially set to music by Arturas Bumsteinas in his contemporary orchestral work
Different Trains
(2014).
Translated by Charles S. Kraszewski.
Charles S. Kraszewski (b. 1962)
is a poet, translator and literary critic. He has published three volumes of original verse:
Beast
(Alexandria, 2013),
Diet of Nails
(Boston, 2013) and
Chanameed
(Atlanta, 2015). Among his critical works is
Irresolute Heresiarch: Catholicism, Gnosticism and Paganism in the Poetry of Czeslaw Milosz
(Newcastle-on-Tyne, 2012); many of his verse translations are collected in the volume
Rossetti's Armadillo
(Newcastle-on-Tyne, 2014).
This book was published with the support of the Hanna and Zdzislaw Broncel Charitable Trust.
This book has been published with the support of the (c)POLAND Translation Program.
Maxim Hodak - Максим Ходак (Publisher),
Max Mendor - Макс Мендор (Director),
Ksenia Papazova (Managing Editor).
[
Dziady
] is a four-part dramatic work begun circa 1820 and completed in 1832 - with Part I published only after the poet's death, in 1860. The drama's title refers to
, an ancient Slavic and Lithuanian feast commemorating the dead. This is the grand work of Polish literature, and it is one that elevates Mickiewicz to a position among the "great Europeans" such as Dante and Goethe.
With its Christian background of the Communion of the Saints, revenant spirits, and the interpenetration of the worlds of time and eternity,
speaks to men and women of all times and places. While it is a truly Polish work - Polish actors covet the role of Gustaw/Konrad in the same way that Anglophone actors covet that of Hamlet - it is one of the most universal works of literature written during the nineteenth century. It has been compared to Goethe's
Faust
- and rightfully so.
initiated the great contribution of Poland to world theatre: Monumental Drama, which stretches from him through Stanislaw Wyspiański to Tadeusz Kantor in our own day and age.
The present translation of Adam Mickiewicz's
is the first complete verse translation of the cycle published in English. It has been put to use in its entirety by the Teatr Polski in Wroclaw, and partially set to music by Arturas Bumsteinas in his contemporary orchestral work
Different Trains
(2014).
Translated by Charles S. Kraszewski.
Charles S. Kraszewski (b. 1962)
is a poet, translator and literary critic. He has published three volumes of original verse:
Beast
(Alexandria, 2013),
Diet of Nails
(Boston, 2013) and
Chanameed
(Atlanta, 2015). Among his critical works is
Irresolute Heresiarch: Catholicism, Gnosticism and Paganism in the Poetry of Czeslaw Milosz
(Newcastle-on-Tyne, 2012); many of his verse translations are collected in the volume
Rossetti's Armadillo
(Newcastle-on-Tyne, 2014).
This book was published with the support of the Hanna and Zdzislaw Broncel Charitable Trust.
This book has been published with the support of the (c)POLAND Translation Program.
Maxim Hodak - Максим Ходак (Publisher),
Max Mendor - Макс Мендор (Director),
Ksenia Papazova (Managing Editor).
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