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Colors in Bloomington, MN
Current price: $36.99

Colors in Bloomington, MN
Current price: $36.99
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Size: OS
Somewhat of an anomaly on the otherwise more conservative, pop-punk and hardcore oriented
Victory Records
label,
Between the Buried and Me
play a progressive style of extreme metal that attempts to incorporate a wide range of styles and moods alongside its staple diet of death and power metal. To their credit, with
Colors
, they manage the transitions very well: frenetic, thrashy riffs are seamlessly traded for thumping metalcore breakdowns, while death grunts and growls sit well alongside soft melodic vocal lines and dense,
Porcupine Tree
-aping harmonies. Opener
"Foam Born, Pt. A: The Backtrack"
marries sappy '70s rock piano schlock with furious tapped guitar textures, flowing seamlessly into the aggressive death metal riffing of
"Foam Born, Pt. B: The Decade of Statues"
and centerpiece
"Informal Gluttony."
Each of the eight tracks is designed to flow into the next, creating the impression of a continuously evolving piece rather than a collection of tracks, but it's a mixed bag musically. At times the creativity and emotional lure of the material is enchanting, but too often
force a constant stream of evolving riffs (it is primarily a guitarist's album) instead of exploring the full depth of the original idea. The effect is less of continuous evolution, than a constant stream of promising and half-baked ideas, and in this instance the color of monotony is rarely too far away. ~ Dave Donnelly
Victory Records
label,
Between the Buried and Me
play a progressive style of extreme metal that attempts to incorporate a wide range of styles and moods alongside its staple diet of death and power metal. To their credit, with
Colors
, they manage the transitions very well: frenetic, thrashy riffs are seamlessly traded for thumping metalcore breakdowns, while death grunts and growls sit well alongside soft melodic vocal lines and dense,
Porcupine Tree
-aping harmonies. Opener
"Foam Born, Pt. A: The Backtrack"
marries sappy '70s rock piano schlock with furious tapped guitar textures, flowing seamlessly into the aggressive death metal riffing of
"Foam Born, Pt. B: The Decade of Statues"
and centerpiece
"Informal Gluttony."
Each of the eight tracks is designed to flow into the next, creating the impression of a continuously evolving piece rather than a collection of tracks, but it's a mixed bag musically. At times the creativity and emotional lure of the material is enchanting, but too often
force a constant stream of evolving riffs (it is primarily a guitarist's album) instead of exploring the full depth of the original idea. The effect is less of continuous evolution, than a constant stream of promising and half-baked ideas, and in this instance the color of monotony is rarely too far away. ~ Dave Donnelly
Somewhat of an anomaly on the otherwise more conservative, pop-punk and hardcore oriented
Victory Records
label,
Between the Buried and Me
play a progressive style of extreme metal that attempts to incorporate a wide range of styles and moods alongside its staple diet of death and power metal. To their credit, with
Colors
, they manage the transitions very well: frenetic, thrashy riffs are seamlessly traded for thumping metalcore breakdowns, while death grunts and growls sit well alongside soft melodic vocal lines and dense,
Porcupine Tree
-aping harmonies. Opener
"Foam Born, Pt. A: The Backtrack"
marries sappy '70s rock piano schlock with furious tapped guitar textures, flowing seamlessly into the aggressive death metal riffing of
"Foam Born, Pt. B: The Decade of Statues"
and centerpiece
"Informal Gluttony."
Each of the eight tracks is designed to flow into the next, creating the impression of a continuously evolving piece rather than a collection of tracks, but it's a mixed bag musically. At times the creativity and emotional lure of the material is enchanting, but too often
force a constant stream of evolving riffs (it is primarily a guitarist's album) instead of exploring the full depth of the original idea. The effect is less of continuous evolution, than a constant stream of promising and half-baked ideas, and in this instance the color of monotony is rarely too far away. ~ Dave Donnelly
Victory Records
label,
Between the Buried and Me
play a progressive style of extreme metal that attempts to incorporate a wide range of styles and moods alongside its staple diet of death and power metal. To their credit, with
Colors
, they manage the transitions very well: frenetic, thrashy riffs are seamlessly traded for thumping metalcore breakdowns, while death grunts and growls sit well alongside soft melodic vocal lines and dense,
Porcupine Tree
-aping harmonies. Opener
"Foam Born, Pt. A: The Backtrack"
marries sappy '70s rock piano schlock with furious tapped guitar textures, flowing seamlessly into the aggressive death metal riffing of
"Foam Born, Pt. B: The Decade of Statues"
and centerpiece
"Informal Gluttony."
Each of the eight tracks is designed to flow into the next, creating the impression of a continuously evolving piece rather than a collection of tracks, but it's a mixed bag musically. At times the creativity and emotional lure of the material is enchanting, but too often
force a constant stream of evolving riffs (it is primarily a guitarist's album) instead of exploring the full depth of the original idea. The effect is less of continuous evolution, than a constant stream of promising and half-baked ideas, and in this instance the color of monotony is rarely too far away. ~ Dave Donnelly
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