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With the Beatles
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With the Beatles in Bloomington, MN
Current price: $18.99

With the Beatles in Bloomington, MN
Current price: $18.99
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Size: CD
With the Beatles
is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers to originals, a familiar blend of girl group,
Motown
, R&B, pop, and rock, and a show tune that interrupts the flow of the album --
is a better record that not only rocks harder, it's considerably more sophisticated. They could deliver rock & roll straight (
"I Wanna Be Your Man"
) or twist it around with a little Latin lilt (
"Little Child,"
one of their most underrated early rockers);
Lennon
and
McCartney
wrote sweet ballads (the achingly gorgeous
"All I've Got to Do"
) and sprightly pop/rockers (
"All My Loving"
) with equal aplomb; and the propulsive rockers (
"It Won't Be Long"
) were as richly melodic as slower songs (
"Not a Second Time"
). Even
George Harrison
's first recorded song,
"Don't Bother Me,"
is a standout, with its wonderfully foreboding minor-key melody. Since
the Beatles
covered so much ground with their originals, their covers pale slightly in comparison, particularly since they rely on familiar hits (only
"Devil in Her Heart"
qualifies as a forgotten gem). But for every
"Roll Over Beethoven,"
a surprisingly stiff reading of the
Chuck Berry
standard, there is a sublime moment, such as
's soaring interpretation of
"You Really Got a Hold on Me,"
and the group always turns in thoroughly enjoyable performances. Still, the heart of
lies not in the covers, but the originals, where it was clear that, even at this early stage,
were rapidly maturing and changing, turning into expert craftsmen and musical innovators. [This reissue has been digitally remastered and comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos.] ~ Stephen Thomas Erlewine
is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers to originals, a familiar blend of girl group,
Motown
, R&B, pop, and rock, and a show tune that interrupts the flow of the album --
is a better record that not only rocks harder, it's considerably more sophisticated. They could deliver rock & roll straight (
"I Wanna Be Your Man"
) or twist it around with a little Latin lilt (
"Little Child,"
one of their most underrated early rockers);
Lennon
and
McCartney
wrote sweet ballads (the achingly gorgeous
"All I've Got to Do"
) and sprightly pop/rockers (
"All My Loving"
) with equal aplomb; and the propulsive rockers (
"It Won't Be Long"
) were as richly melodic as slower songs (
"Not a Second Time"
). Even
George Harrison
's first recorded song,
"Don't Bother Me,"
is a standout, with its wonderfully foreboding minor-key melody. Since
the Beatles
covered so much ground with their originals, their covers pale slightly in comparison, particularly since they rely on familiar hits (only
"Devil in Her Heart"
qualifies as a forgotten gem). But for every
"Roll Over Beethoven,"
a surprisingly stiff reading of the
Chuck Berry
standard, there is a sublime moment, such as
's soaring interpretation of
"You Really Got a Hold on Me,"
and the group always turns in thoroughly enjoyable performances. Still, the heart of
lies not in the covers, but the originals, where it was clear that, even at this early stage,
were rapidly maturing and changing, turning into expert craftsmen and musical innovators. [This reissue has been digitally remastered and comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos.] ~ Stephen Thomas Erlewine
With the Beatles
is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers to originals, a familiar blend of girl group,
Motown
, R&B, pop, and rock, and a show tune that interrupts the flow of the album --
is a better record that not only rocks harder, it's considerably more sophisticated. They could deliver rock & roll straight (
"I Wanna Be Your Man"
) or twist it around with a little Latin lilt (
"Little Child,"
one of their most underrated early rockers);
Lennon
and
McCartney
wrote sweet ballads (the achingly gorgeous
"All I've Got to Do"
) and sprightly pop/rockers (
"All My Loving"
) with equal aplomb; and the propulsive rockers (
"It Won't Be Long"
) were as richly melodic as slower songs (
"Not a Second Time"
). Even
George Harrison
's first recorded song,
"Don't Bother Me,"
is a standout, with its wonderfully foreboding minor-key melody. Since
the Beatles
covered so much ground with their originals, their covers pale slightly in comparison, particularly since they rely on familiar hits (only
"Devil in Her Heart"
qualifies as a forgotten gem). But for every
"Roll Over Beethoven,"
a surprisingly stiff reading of the
Chuck Berry
standard, there is a sublime moment, such as
's soaring interpretation of
"You Really Got a Hold on Me,"
and the group always turns in thoroughly enjoyable performances. Still, the heart of
lies not in the covers, but the originals, where it was clear that, even at this early stage,
were rapidly maturing and changing, turning into expert craftsmen and musical innovators. [This reissue has been digitally remastered and comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos.] ~ Stephen Thomas Erlewine
is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers to originals, a familiar blend of girl group,
Motown
, R&B, pop, and rock, and a show tune that interrupts the flow of the album --
is a better record that not only rocks harder, it's considerably more sophisticated. They could deliver rock & roll straight (
"I Wanna Be Your Man"
) or twist it around with a little Latin lilt (
"Little Child,"
one of their most underrated early rockers);
Lennon
and
McCartney
wrote sweet ballads (the achingly gorgeous
"All I've Got to Do"
) and sprightly pop/rockers (
"All My Loving"
) with equal aplomb; and the propulsive rockers (
"It Won't Be Long"
) were as richly melodic as slower songs (
"Not a Second Time"
). Even
George Harrison
's first recorded song,
"Don't Bother Me,"
is a standout, with its wonderfully foreboding minor-key melody. Since
the Beatles
covered so much ground with their originals, their covers pale slightly in comparison, particularly since they rely on familiar hits (only
"Devil in Her Heart"
qualifies as a forgotten gem). But for every
"Roll Over Beethoven,"
a surprisingly stiff reading of the
Chuck Berry
standard, there is a sublime moment, such as
's soaring interpretation of
"You Really Got a Hold on Me,"
and the group always turns in thoroughly enjoyable performances. Still, the heart of
lies not in the covers, but the originals, where it was clear that, even at this early stage,
were rapidly maturing and changing, turning into expert craftsmen and musical innovators. [This reissue has been digitally remastered and comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos.] ~ Stephen Thomas Erlewine

















