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Wide Through the Eyes of No One
Wide Through the Eyes of No One in Bloomington, MN
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Almost three-and-a-half years after they released
Six Rocks
,
GB
and
Yeofi Andoh
reappeared under their duo alias
the Steoples
with a fluid if twisting rumination on the ecstasy and agony of a vanishing romance. The veteran underground musicians soon made it known that "Alas Alice" wasn't a metaphor for
, as their second album,
Wide Through the Eyes of No One
, landed within a few months. "Alas Alice" reappears here as a bonus track. Although it isn't quite congruous with what precedes it, the song indicated the album's stormy mix of contrasting emotions and sounds, and its effect, a sense of solace -- with a tender overarching message to stay openhearted and resolute -- in response to turbulence. Whereas much of
was purposefully undone and structurally oblique, this set is bound tighter, perhaps a consequence of additional live instrumentation, such as the softly buoyant bass of
Joel Whitley
. No one integrates and modernizes disparate R&B sounds across eras quite like
Andoh
do here. Late-'60s psychedelic soul, progressive '70s folk-jazz (particularly
Terry Callier
's), and early-'80s machine soul are all in the mix. In the most energized moments, there are hints of latter-day
Masters at Work
fusionist dancefloor projects like
Nuyorican Soul
Elements of Life
, though the constant somber quality in
's transfixing voice is always present, and there are some eerie currents from what sounds like a Mellotron. The sequencing front-loads the material filled with celebratory spirit and renewed appreciation for the sharing of space ("Ain't it natural to sing along?"), illuminated with dancing strings, flickering guitar, and caressing female background vocals. It stars to get real dim around "Lonely Behavior," a chilling ballad of isolation ("When I see my friends, they pixelatin'"). During the second half, the album slips into pitch-black darkness for "Leaning on Me," with
bewailing his "laces left untied" and "face pushed to the ground," but it's drawn beautifully with whirling synthesizers and a layered vocal arrangement evoking the image of the subject being pulled into a vortex. Out of that burbles and churns "The Real Wealth," where
consults an elder and gets some poetic wisdom that rejuvenates his spirit. It isn't the last song on the album proper, but it's the payoff -- a heartening one at that. ~ Andy Kellman
Six Rocks
,
GB
and
Yeofi Andoh
reappeared under their duo alias
the Steoples
with a fluid if twisting rumination on the ecstasy and agony of a vanishing romance. The veteran underground musicians soon made it known that "Alas Alice" wasn't a metaphor for
, as their second album,
Wide Through the Eyes of No One
, landed within a few months. "Alas Alice" reappears here as a bonus track. Although it isn't quite congruous with what precedes it, the song indicated the album's stormy mix of contrasting emotions and sounds, and its effect, a sense of solace -- with a tender overarching message to stay openhearted and resolute -- in response to turbulence. Whereas much of
was purposefully undone and structurally oblique, this set is bound tighter, perhaps a consequence of additional live instrumentation, such as the softly buoyant bass of
Joel Whitley
. No one integrates and modernizes disparate R&B sounds across eras quite like
Andoh
do here. Late-'60s psychedelic soul, progressive '70s folk-jazz (particularly
Terry Callier
's), and early-'80s machine soul are all in the mix. In the most energized moments, there are hints of latter-day
Masters at Work
fusionist dancefloor projects like
Nuyorican Soul
Elements of Life
, though the constant somber quality in
's transfixing voice is always present, and there are some eerie currents from what sounds like a Mellotron. The sequencing front-loads the material filled with celebratory spirit and renewed appreciation for the sharing of space ("Ain't it natural to sing along?"), illuminated with dancing strings, flickering guitar, and caressing female background vocals. It stars to get real dim around "Lonely Behavior," a chilling ballad of isolation ("When I see my friends, they pixelatin'"). During the second half, the album slips into pitch-black darkness for "Leaning on Me," with
bewailing his "laces left untied" and "face pushed to the ground," but it's drawn beautifully with whirling synthesizers and a layered vocal arrangement evoking the image of the subject being pulled into a vortex. Out of that burbles and churns "The Real Wealth," where
consults an elder and gets some poetic wisdom that rejuvenates his spirit. It isn't the last song on the album proper, but it's the payoff -- a heartening one at that. ~ Andy Kellman
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