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Walls and Gateways: Contested Heritage Dubrovnik
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Walls and Gateways: Contested Heritage Dubrovnik in Bloomington, MN
Current price: $150.00
Walls and Gateways: Contested Heritage Dubrovnik in Bloomington, MN
Current price: $150.00
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Size: Hardcover
In 1979 Dubrovnik was declared a UNESCO World Heritage site, which had consequences for the city's broader cultural heritage.
Walls and Gateways
explores how this status intersects with the reconstruction and consolidation of identities and locality in the city’s postwar context. It analyses how representations, perceptions and uses of Dubrovnik’s heritage are embedded in particular cultural practices, materiality and place. In Dubrovnik’s postwar context, different uses of cultural memory and heritage provoke both dissonance and unity, shape practices and mobilize cultural and political activism.
Walls and Gateways
explores how this status intersects with the reconstruction and consolidation of identities and locality in the city’s postwar context. It analyses how representations, perceptions and uses of Dubrovnik’s heritage are embedded in particular cultural practices, materiality and place. In Dubrovnik’s postwar context, different uses of cultural memory and heritage provoke both dissonance and unity, shape practices and mobilize cultural and political activism.
In 1979 Dubrovnik was declared a UNESCO World Heritage site, which had consequences for the city's broader cultural heritage.
Walls and Gateways
explores how this status intersects with the reconstruction and consolidation of identities and locality in the city’s postwar context. It analyses how representations, perceptions and uses of Dubrovnik’s heritage are embedded in particular cultural practices, materiality and place. In Dubrovnik’s postwar context, different uses of cultural memory and heritage provoke both dissonance and unity, shape practices and mobilize cultural and political activism.
Walls and Gateways
explores how this status intersects with the reconstruction and consolidation of identities and locality in the city’s postwar context. It analyses how representations, perceptions and uses of Dubrovnik’s heritage are embedded in particular cultural practices, materiality and place. In Dubrovnik’s postwar context, different uses of cultural memory and heritage provoke both dissonance and unity, shape practices and mobilize cultural and political activism.
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