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Jesse Van Ruller
's ninth recording as a leader finds him sharing the front line with tenor saxophonist
Seamus Blake
and fronting a rhythm section that includes Hammond organist
Sam Yahel
(of
Joshua Redman's Elastic Band
) and drummer
Bill Stewart
. It's a configuration that would lead you naturally to expect a certain funkiness, and you do get some of that on this all-original program:
"Super Dry"
combines a finger-snapping rhythmic groove with a complex harmonic structure, creating an effect that sounds almost like a cross between
James Brown
and
Thelonious Monk
. There are some exhilaratingly
bop
-derived moments as well, especially on the zippy
"Sway"
and the joyfully headlong
"Silk Rush."
But some of the most impressive cuts on this disc are the
ballads
: a lovely piece called
(on which
Yahel
makes particularly tasteful use of the volume pedal) and the equally fine
"Tear Jam,"
on which
Van Ruller
's guitar is accompanied only by the organ and drums. There's a nice
blues
composition as well and a midtempo number in 5/4 that sounds a bit like a
waltz
with a sprained ankle. Very nice overall. ~ Rick Anderson
Jesse Van Ruller
's ninth recording as a leader finds him sharing the front line with tenor saxophonist
Seamus Blake
and fronting a rhythm section that includes Hammond organist
Sam Yahel
(of
Joshua Redman's Elastic Band
) and drummer
Bill Stewart
. It's a configuration that would lead you naturally to expect a certain funkiness, and you do get some of that on this all-original program:
"Super Dry"
combines a finger-snapping rhythmic groove with a complex harmonic structure, creating an effect that sounds almost like a cross between
James Brown
and
Thelonious Monk
. There are some exhilaratingly
bop
-derived moments as well, especially on the zippy
"Sway"
and the joyfully headlong
"Silk Rush."
But some of the most impressive cuts on this disc are the
ballads
: a lovely piece called
(on which
Yahel
makes particularly tasteful use of the volume pedal) and the equally fine
"Tear Jam,"
on which
Van Ruller
's guitar is accompanied only by the organ and drums. There's a nice
blues
composition as well and a midtempo number in 5/4 that sounds a bit like a
waltz
with a sprained ankle. Very nice overall. ~ Rick Anderson

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