This is the second album from
Paul Cebar & the Milwaukeeans
. Like their debut
That Unhinged Thing
and like
Cebar
's former group
the R&B Cadets
,
Upstroke for the Downfolk
fuses many rhythm-oriented styles like R&B, soul, blues, and jazz into an accommodating pop format. His style is very reminiscent of early period
Van Morrison
in that regard, although he doesn't get bogged down with the lengthy, mystical soundscapes that frequently inhabited
Morrison
's music. While his voice also shares similarities with
is noticeably more upbeat and funky than his Irish counterpart.
"Didn't Leave Me No Ladder"
is pop-funk number that launches this album but is not necessarily indicative of what's to come.
"I Ain't Ready"
employs a
Motown
and '60s soul vocal group style while the very next track,
"Run Wild, Breathe Easy,"
is heavy on Latin percussion and brass.
"Bright Night Train"
is a boogie number that wouldn't sound out of place in a
ZZ Top
set and
"Blood and Water"
continues the rootsy feel in a
John Hiatt
manner, replete with slide guitar by
Rob Gjersoe
.
and
Gjersoe
share the guitar duties throughout this album, handling the varying styles with accomplished ease and respect toward their foundational influences.
"Love Don't Have a Clue"
possesses a
Buddy Holly
or
Everly Brothers
-like charm and appeal and the closing number,
"Somewhere We Both Belong,"
is a tender acoustic ballad featuring
's gruff vocals -- which evoke more passion, soul, and believability than most of the processed and generic coffeehouse-types that
NPR
devotees have elevated to semi-stardom. Widespread fame has eluded guitarist, singer, and songwriter
Paul Cebar
thus far, but his talents and eclecticism are appreciated by the loyal cult following he has acquired. ~ Dave Sleger