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Uncollected Noise New York 88-90
Uncollected Noise New York 88-90 in Bloomington, MN
Current price: $23.99
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Size: CD
Slow and deliberate but eruptive in terms of melody and emotion,
Galaxie 500
undeniably altered the course of independent music by offering an alternative perspective to the loud and forceful sounds that dominated the late-'80s indie landscape from which they grew. The Boston trio existed from 1987 to 1991 and issued three proper studio records in that time, full of simple, straightforward songs that soared in their simplicity. Their sound was unique on every level -- spare drumming from
Damon Krukowski
slathered in reverb,
Dean Wareham
's lonely, high-pitched vocals swimming somewhere in the mix, and rudimentary guitar chords making space for
Naomi Yang
's fluid, countermelodic bass lines to lead the songs. As
's influence continued to be heard in generation after generation of artists that followed them, new waves of fans perennially discovered their scant studio discography.
Uncollected Noise New York 88-90
offers a much-needed annex of unheard material, as the first rarities collection focused on the band since a bonus disc that was included on a box set in 1996. The 24-track collection chronologically traces the group's development as they found their sound at producer
Kramer
's Noise New York studio over the course of their all-too-brief run. For those completely unfamiliar with the band or their legacy,
Uncollected
is as good of a place to start as any, with songs from every session the group conducted while working on their three albums. Inclusions like an alternate mix of 1989 album
On Fire
cut "Blue Thunder," their
New Order
cover "Ceremony," and a different version of "Fourth of July" from their 1990 swan song
This Is Our Music
are all emblematic of
's singular sound.
Completists already familiar with the studio albums can look forward to unlocking a formerly closed door to the band's story with eight previously unreleased outtakes, all restored from the original tapes. Some of these unreleased tracks diverge wildly from the sound the group would become known for. The 1988 tune "Shout You Down" is fast and choppy, with
Wareham
engaging in some post-
Velvets
lyrical vitriol as
blast through a few punky chords. From the same 1988 session, "See Through Glasses" has hints of paisley-colored psychedelia that the group didn't explore much further, and other never-before-heard songs like 1989 original "Never Get to Heaven" and a
Buffy Saint Marie
cover "Moonshot" show the band experimenting with rougher angles than those of their dreamily flowing albums. Indie subgenres like dream pop, slowcore, shoegaze, and more owe a lot of their existence to
, and they remain one of the more influential bands to have come out of the quiet corners of the underground.
is a treasure for those who are already fans, and the new perspective the collection offers on the band just reaffirms how important and how essential they are. ~ Fred Thomas
Galaxie 500
undeniably altered the course of independent music by offering an alternative perspective to the loud and forceful sounds that dominated the late-'80s indie landscape from which they grew. The Boston trio existed from 1987 to 1991 and issued three proper studio records in that time, full of simple, straightforward songs that soared in their simplicity. Their sound was unique on every level -- spare drumming from
Damon Krukowski
slathered in reverb,
Dean Wareham
's lonely, high-pitched vocals swimming somewhere in the mix, and rudimentary guitar chords making space for
Naomi Yang
's fluid, countermelodic bass lines to lead the songs. As
's influence continued to be heard in generation after generation of artists that followed them, new waves of fans perennially discovered their scant studio discography.
Uncollected Noise New York 88-90
offers a much-needed annex of unheard material, as the first rarities collection focused on the band since a bonus disc that was included on a box set in 1996. The 24-track collection chronologically traces the group's development as they found their sound at producer
Kramer
's Noise New York studio over the course of their all-too-brief run. For those completely unfamiliar with the band or their legacy,
Uncollected
is as good of a place to start as any, with songs from every session the group conducted while working on their three albums. Inclusions like an alternate mix of 1989 album
On Fire
cut "Blue Thunder," their
New Order
cover "Ceremony," and a different version of "Fourth of July" from their 1990 swan song
This Is Our Music
are all emblematic of
's singular sound.
Completists already familiar with the studio albums can look forward to unlocking a formerly closed door to the band's story with eight previously unreleased outtakes, all restored from the original tapes. Some of these unreleased tracks diverge wildly from the sound the group would become known for. The 1988 tune "Shout You Down" is fast and choppy, with
Wareham
engaging in some post-
Velvets
lyrical vitriol as
blast through a few punky chords. From the same 1988 session, "See Through Glasses" has hints of paisley-colored psychedelia that the group didn't explore much further, and other never-before-heard songs like 1989 original "Never Get to Heaven" and a
Buffy Saint Marie
cover "Moonshot" show the band experimenting with rougher angles than those of their dreamily flowing albums. Indie subgenres like dream pop, slowcore, shoegaze, and more owe a lot of their existence to
, and they remain one of the more influential bands to have come out of the quiet corners of the underground.
is a treasure for those who are already fans, and the new perspective the collection offers on the band just reaffirms how important and how essential they are. ~ Fred Thomas
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