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Ugly Buildings, Whores & Politicians: Greatest Hits 1998-2009
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Ugly Buildings, Whores & Politicians: Greatest Hits 1998-2009 in Bloomington, MN
Current price: $34.99

Ugly Buildings, Whores & Politicians: Greatest Hits 1998-2009 in Bloomington, MN
Current price: $34.99
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With their decidedly goofy name and album titles like
Gangstabilly
and
Pizza Deliverance
, it wasn't hard to read
the Drive-By Truckers
as a joke band early on, especially given their workmanlike but often unfocused mixture of
Replacements
-style slop and
Lynyrd Skynyrd
-influenced Southern rock, even if the occasional fine song suggested they had the potential for greater things. It wasn't until 2001's
Southern Rock Opera
that
the DBTs
finally managed to hit upon the right formula and began writing, singing, and playing like the great hard rock band they wanted to be as they pondered the political and cultural legacies of life in the Deep South. Once they finally cracked the code, they bacame one of the most consistently satisfying American bands of the new millennium, delivering a string of smart, impassioned albums that prove a band can be smart, hit hard, and speak with an accent at the same time. Between 2003 and 2008,
recorded four studio albums for
New West Records
, and those albums provide the backbone of
Ugly Buildings, Whores and Politicians: Greatest Hits 1998-2009
, a compilation that offers an efficient overview of their career before jumping ship to
ATO Records
in 2010. While this collection offers one selection each from
first two studio albums (including "The Living Bubba," their first genuinely first-class song), this album really kicks into gear with "Ronnie and Neil" from
SRO
, and from then on it delivers a track listing not necessarily devoted to fan favorites or the group's most accomplished material, but to tunes that might well have been hits in an era where bands like this still got played on the radio, and in this context "Marry Me," "The Righteous Path," "Outfit," and "3 Dimes Down" sound like they should be blasting out of your car stereo right now. The album also allows the personalities of the group's three primary songwriters of this era to shine through --
Patterson Hood
and his tales of decent folks living under hard times,
Mike Cooley
's wicked, often funny and sometimes bitter stories of rednecks long on pride and short on money, and
Jason Isbell
's thumbnail sketches of people caught between a blighted past and a flawed present in the South. Considering that
have released two more studio albums since the last disc represented here, and they continue to slowly but surely keep building an audience,
is by no means a definitive look at the band's body of work, but as a survey of their formative years, it's great listening and a testament to the power of a band to achieve something great by daring to try; few bands have grown as much through a single act of grand ambition. (Incidentally, that clumsy-sounding title is a reference to a line uttered by
John Huston
in the film
Chinatown
: "Politicians, ugly buildings and whores all get respectable if they last long enough.") ~ Mark Deming
Gangstabilly
and
Pizza Deliverance
, it wasn't hard to read
the Drive-By Truckers
as a joke band early on, especially given their workmanlike but often unfocused mixture of
Replacements
-style slop and
Lynyrd Skynyrd
-influenced Southern rock, even if the occasional fine song suggested they had the potential for greater things. It wasn't until 2001's
Southern Rock Opera
that
the DBTs
finally managed to hit upon the right formula and began writing, singing, and playing like the great hard rock band they wanted to be as they pondered the political and cultural legacies of life in the Deep South. Once they finally cracked the code, they bacame one of the most consistently satisfying American bands of the new millennium, delivering a string of smart, impassioned albums that prove a band can be smart, hit hard, and speak with an accent at the same time. Between 2003 and 2008,
recorded four studio albums for
New West Records
, and those albums provide the backbone of
Ugly Buildings, Whores and Politicians: Greatest Hits 1998-2009
, a compilation that offers an efficient overview of their career before jumping ship to
ATO Records
in 2010. While this collection offers one selection each from
first two studio albums (including "The Living Bubba," their first genuinely first-class song), this album really kicks into gear with "Ronnie and Neil" from
SRO
, and from then on it delivers a track listing not necessarily devoted to fan favorites or the group's most accomplished material, but to tunes that might well have been hits in an era where bands like this still got played on the radio, and in this context "Marry Me," "The Righteous Path," "Outfit," and "3 Dimes Down" sound like they should be blasting out of your car stereo right now. The album also allows the personalities of the group's three primary songwriters of this era to shine through --
Patterson Hood
and his tales of decent folks living under hard times,
Mike Cooley
's wicked, often funny and sometimes bitter stories of rednecks long on pride and short on money, and
Jason Isbell
's thumbnail sketches of people caught between a blighted past and a flawed present in the South. Considering that
have released two more studio albums since the last disc represented here, and they continue to slowly but surely keep building an audience,
is by no means a definitive look at the band's body of work, but as a survey of their formative years, it's great listening and a testament to the power of a band to achieve something great by daring to try; few bands have grown as much through a single act of grand ambition. (Incidentally, that clumsy-sounding title is a reference to a line uttered by
John Huston
in the film
Chinatown
: "Politicians, ugly buildings and whores all get respectable if they last long enough.") ~ Mark Deming
With their decidedly goofy name and album titles like
Gangstabilly
and
Pizza Deliverance
, it wasn't hard to read
the Drive-By Truckers
as a joke band early on, especially given their workmanlike but often unfocused mixture of
Replacements
-style slop and
Lynyrd Skynyrd
-influenced Southern rock, even if the occasional fine song suggested they had the potential for greater things. It wasn't until 2001's
Southern Rock Opera
that
the DBTs
finally managed to hit upon the right formula and began writing, singing, and playing like the great hard rock band they wanted to be as they pondered the political and cultural legacies of life in the Deep South. Once they finally cracked the code, they bacame one of the most consistently satisfying American bands of the new millennium, delivering a string of smart, impassioned albums that prove a band can be smart, hit hard, and speak with an accent at the same time. Between 2003 and 2008,
recorded four studio albums for
New West Records
, and those albums provide the backbone of
Ugly Buildings, Whores and Politicians: Greatest Hits 1998-2009
, a compilation that offers an efficient overview of their career before jumping ship to
ATO Records
in 2010. While this collection offers one selection each from
first two studio albums (including "The Living Bubba," their first genuinely first-class song), this album really kicks into gear with "Ronnie and Neil" from
SRO
, and from then on it delivers a track listing not necessarily devoted to fan favorites or the group's most accomplished material, but to tunes that might well have been hits in an era where bands like this still got played on the radio, and in this context "Marry Me," "The Righteous Path," "Outfit," and "3 Dimes Down" sound like they should be blasting out of your car stereo right now. The album also allows the personalities of the group's three primary songwriters of this era to shine through --
Patterson Hood
and his tales of decent folks living under hard times,
Mike Cooley
's wicked, often funny and sometimes bitter stories of rednecks long on pride and short on money, and
Jason Isbell
's thumbnail sketches of people caught between a blighted past and a flawed present in the South. Considering that
have released two more studio albums since the last disc represented here, and they continue to slowly but surely keep building an audience,
is by no means a definitive look at the band's body of work, but as a survey of their formative years, it's great listening and a testament to the power of a band to achieve something great by daring to try; few bands have grown as much through a single act of grand ambition. (Incidentally, that clumsy-sounding title is a reference to a line uttered by
John Huston
in the film
Chinatown
: "Politicians, ugly buildings and whores all get respectable if they last long enough.") ~ Mark Deming
Gangstabilly
and
Pizza Deliverance
, it wasn't hard to read
the Drive-By Truckers
as a joke band early on, especially given their workmanlike but often unfocused mixture of
Replacements
-style slop and
Lynyrd Skynyrd
-influenced Southern rock, even if the occasional fine song suggested they had the potential for greater things. It wasn't until 2001's
Southern Rock Opera
that
the DBTs
finally managed to hit upon the right formula and began writing, singing, and playing like the great hard rock band they wanted to be as they pondered the political and cultural legacies of life in the Deep South. Once they finally cracked the code, they bacame one of the most consistently satisfying American bands of the new millennium, delivering a string of smart, impassioned albums that prove a band can be smart, hit hard, and speak with an accent at the same time. Between 2003 and 2008,
recorded four studio albums for
New West Records
, and those albums provide the backbone of
Ugly Buildings, Whores and Politicians: Greatest Hits 1998-2009
, a compilation that offers an efficient overview of their career before jumping ship to
ATO Records
in 2010. While this collection offers one selection each from
first two studio albums (including "The Living Bubba," their first genuinely first-class song), this album really kicks into gear with "Ronnie and Neil" from
SRO
, and from then on it delivers a track listing not necessarily devoted to fan favorites or the group's most accomplished material, but to tunes that might well have been hits in an era where bands like this still got played on the radio, and in this context "Marry Me," "The Righteous Path," "Outfit," and "3 Dimes Down" sound like they should be blasting out of your car stereo right now. The album also allows the personalities of the group's three primary songwriters of this era to shine through --
Patterson Hood
and his tales of decent folks living under hard times,
Mike Cooley
's wicked, often funny and sometimes bitter stories of rednecks long on pride and short on money, and
Jason Isbell
's thumbnail sketches of people caught between a blighted past and a flawed present in the South. Considering that
have released two more studio albums since the last disc represented here, and they continue to slowly but surely keep building an audience,
is by no means a definitive look at the band's body of work, but as a survey of their formative years, it's great listening and a testament to the power of a band to achieve something great by daring to try; few bands have grown as much through a single act of grand ambition. (Incidentally, that clumsy-sounding title is a reference to a line uttered by
John Huston
in the film
Chinatown
: "Politicians, ugly buildings and whores all get respectable if they last long enough.") ~ Mark Deming