Tremblers & Goggles by Rank

released in April 2017, the album that introduced the lineup of on vocals, and on guitars, on bass, and on drums. Without changing much about the sonic fundamentals of the band, this edition of the group has produced a large and strikingly accomplished body of work that's the finest in terms of consistent quality they've ever known. , which arrived in early July 2022, was the thirteenth LP they delivered in a bit over five years, an accomplishment many bands take decades to achieve, and all those albums have been better than simply good. With a band this solid and prolific behind him, unquestioned leader has the means to change things up if he pleases, and reflects his desire to move away from the compact pop tunes that dominated lo-fi triumphs like 1994's and 1995's in favor of more ambitious structures. has never made a secret of his love of vintage prog-rock, and now that he had a band with the chops to pull it off, sees them embracing melodic shifts and rhythmic wanderlust in a way unthinkable in their earliest days. The mere fact that four of the ten songs run over four minutes long is telling, a length that would have seemed truly epic not that long ago for . At the finale, "Who Wants to Go Hunting" clocks in at 6:18, marching through acoustic and electric sections, tempo changes, pianos and tympani, and guitars that sweetly chime and bitterly howl depending on the mood. In 2022, not only can do all this, they can do it with skill and with the flair of a true showman. Further, for all the structural challenges of this material, the melodies are still pure , and "Alex Bell," an idiosyncratic tribute to the founders of ( ), reminds us he still loves pop even as he explores new sonic vistas. With their 40th anniversary on the horizon in 2025, is it possible have become the best recording act of their day? Add to the dozen other LPs they released in the 60 months previous, and the argument doesn't seem the least bit unreasonable. ~ Mark Deming