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Toxic Youth
Toxic Youth in Bloomington, MN
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In 1984,
the Young Fresh Fellows
booked time at
Conrad Uno
's cozy Egg Studio in Seattle to cut their first album,
The Fabulous Sounds of the Pacific Northwest
, when they were indeed young, fresh, and full of fun. A mere 33 years later,
announced he was closing Egg in favor of a well-earned retirement, and
didn't want their favorite recording facility to shut down without a last hurrah. They booked the last three days on
Uno
's schedule with just three songs ready, and walked out with 17 tracks in various states of completion; a dozen of them made the cut for the band's 2020 release
Toxic Youth
. Having survived for more than three decades, it's no wonder that the
Fellows
sound older and more seasoned than they did on
Fabulous Sounds
. They also seem more somber; the sense of humor that has always been part of their music hasn't gone away, but
sometimes suggests a good-natured wake, as the guys look back while a part of their history and hometown fades away. "Gear Summer" is upbeat as all get-out, yet the lyrics deal with a variety of bad news, "Never Had It Bad" finds them looking at their ne'er-do-well neighbors with both annoyance and a hint of envy, "Alien Overlords" is the sound of a man eager to escape a place where he no longer belongs, and "Alone in a Bus" is a low-key meditation on loneliness. If
were ever to make a midlife crisis album,
is it, and it's worth noting it was recorded a few months before a stroke nearly cost
YFF
leader
Scott McCaughey
his life in November 2017 (which explains in part why there was a nearly three-year wait before this album saw the light of day). However, tunes like "She's By Request" and "Astondale" make it clear they still know how to make a good time heard, and for all the bittersweet memories in the finale "Bleed Out," it's a testimony to why they're still in the game in a career that's spanned five decades -- they still love rock & roll with all their hearts, and they're still pretty great at it.
McCaughey
and
Kurt Bloch
can summon poppy tunes, punky energy, and a snarky joy with ease, bassist
Jimmy Sangster
and drummer
Tad Hutchinson
are a gleeful and adaptable rhythm section, and if they sound different in the 21st century, the qualities that made them easy to love have not changed. The passage of time can be a sobering thing, and
speaks to that, but it also reminds us that the wisdom that comes with age doesn't have to cancel out joy. As long as these guys can still make albums like this, they have no need to be bummed out for long. ~ Mark Deming
the Young Fresh Fellows
booked time at
Conrad Uno
's cozy Egg Studio in Seattle to cut their first album,
The Fabulous Sounds of the Pacific Northwest
, when they were indeed young, fresh, and full of fun. A mere 33 years later,
announced he was closing Egg in favor of a well-earned retirement, and
didn't want their favorite recording facility to shut down without a last hurrah. They booked the last three days on
Uno
's schedule with just three songs ready, and walked out with 17 tracks in various states of completion; a dozen of them made the cut for the band's 2020 release
Toxic Youth
. Having survived for more than three decades, it's no wonder that the
Fellows
sound older and more seasoned than they did on
Fabulous Sounds
. They also seem more somber; the sense of humor that has always been part of their music hasn't gone away, but
sometimes suggests a good-natured wake, as the guys look back while a part of their history and hometown fades away. "Gear Summer" is upbeat as all get-out, yet the lyrics deal with a variety of bad news, "Never Had It Bad" finds them looking at their ne'er-do-well neighbors with both annoyance and a hint of envy, "Alien Overlords" is the sound of a man eager to escape a place where he no longer belongs, and "Alone in a Bus" is a low-key meditation on loneliness. If
were ever to make a midlife crisis album,
is it, and it's worth noting it was recorded a few months before a stroke nearly cost
YFF
leader
Scott McCaughey
his life in November 2017 (which explains in part why there was a nearly three-year wait before this album saw the light of day). However, tunes like "She's By Request" and "Astondale" make it clear they still know how to make a good time heard, and for all the bittersweet memories in the finale "Bleed Out," it's a testimony to why they're still in the game in a career that's spanned five decades -- they still love rock & roll with all their hearts, and they're still pretty great at it.
McCaughey
and
Kurt Bloch
can summon poppy tunes, punky energy, and a snarky joy with ease, bassist
Jimmy Sangster
and drummer
Tad Hutchinson
are a gleeful and adaptable rhythm section, and if they sound different in the 21st century, the qualities that made them easy to love have not changed. The passage of time can be a sobering thing, and
speaks to that, but it also reminds us that the wisdom that comes with age doesn't have to cancel out joy. As long as these guys can still make albums like this, they have no need to be bummed out for long. ~ Mark Deming
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