Three for the Ages in Bloomington, MN

A full decade separates pianist
Michael Pagan'
s previous trio recording from this one, while in the interim, he's been busy teaching, composing, and working with a big band. Situated in Kansas City,
Pagan
's music on this recording reflects the cushy side of jazz, a program consisting mostly of ballads. With bassist
Bob Bowman
and drummer
Ray DeMarchi
, you can clearly hear that
has been influenced by the introspective tones of
Bill Evans
, but occasionally, the brash verve of
Oscar Peterson
also comes to the forefront. Blessed with a beautiful touch and a steady stream of ideas to match,
makes music that is beautiful and honest with tradition firmly in hand. Not all sweetness and light,
's trio swings along nicely on their spirited, upbeat, steady and solid version of
"How Deep Is the Ocean?,"
and the bouncy
"The Best Thing for You,"
recalling
Peterson
in verve and virtuosity. Everything else is laid-back, but the opener,
"You Don't Know What Love Is,"
really sets the mellowed-out tone over nearly 11 minutes of discourse in the
Evans
mode.
Bowman
's bass rings out, resonating in the mix, booming big fat notes of buoyed rhythm on the bluesy theme from Jesus Christ Superstar
"Gethsemane,"
and during his solo for
Pagan'
s pristine waltz
"Three for the Ages,"
again reflecting the harmonic
touch. Ever mindful of the ladies, the trio wistfully pines in late-night refrains on the romantic
"Falling in Love,"
and is ultimately evocative for the demure tones of
"Atras De Porta."
This trio is dedicated to passion, an inner fire that only slightly smolders, but presents a type of jazz that is discernibly present in the moment, then dissipates quickly like wisps of smoke. A recording built for a specific dinner music or after-hours crowd,
and his trio have created an organ of beauty that stands out in the crowded foyer of piano/bass/drums jazz trios, but more for its command of subtlety than its overt pyrotechnics. ~ Michael G. Nastos