Don McLean
first expressed his interest in cowboys when he put his composition
"Bronco Bill's Lament,"
about a disgruntled Hollywood cowboy, on his self-titled third album in 1972. Six years later, at the wrap party for his
Chain Lightning
LP, he joined with a studio full of drunken musicians to cut a lively version of
Roy Rogers
'
"My Saddle Pal and I"
that sat unreleased for a quarter-century until he put together this album, the third release on his own
Don McLean Records
label (following
Don McLean Sings Marty Robbins
and the live disc
Starry Starry Night
). Unlike
The Western Album
takes a largely positive view of cowboys, Hollywood and otherwise, but by no means a reverent one.
McLean
doesn't care whether the songs come from Hollywood songwriters like
Frank Loesser
and
Johnny Mercer
or from "public domain," and while he and his fellow musicians can handle traditional arrangements, they also take some liberties. The medley of
"Tulsa Time"
"Deep in the Heart of Texas,"
for example, is done as a rock & roll performance.
"I'm an Old Cowhand,"
Mercer
's humorous song about a phony cowboy, comes off as an earnest family singalong.
includes his own composition,
"Lyndon Has a Bear Hug on Dallas,"
a tribute to the Dallas beltway named after
Lyndon Johnson
, as well as
Tom Lehrer
's satiric ode to nuclear testing in the West,
"The Wild West Is Where I Wanna Be."
turns serious, and strips the arrangement down to his own guitar, for
"Sioux Indians,"
an account of a bloody encounter between cowboys and Indians. So,
is a carefully considered and quite varied collection of music associated with cowboys, not just a genre exercise. ~ William Ruhlmann