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The New Hollywood: From Bonnie and Clyde to Star Wars
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The New Hollywood: From Bonnie and Clyde to Star Wars in Bloomington, MN
Current price: $21.00
The New Hollywood: From Bonnie and Clyde to Star Wars in Bloomington, MN
Current price: $21.00
Loading Inventory...
Size: OS
On December 8, 1967
Time
magazine put
Bonnie and Clyde
on its cover and announced, "The New Cinema: Violence Sex Art." The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (including
The Graduate
[1967],
The Exorcist
[1973] and
Jaws
[1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large.
Time
magazine put
Bonnie and Clyde
on its cover and announced, "The New Cinema: Violence Sex Art." The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (including
The Graduate
[1967],
The Exorcist
[1973] and
Jaws
[1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large.
On December 8, 1967
Time
magazine put
Bonnie and Clyde
on its cover and announced, "The New Cinema: Violence Sex Art." The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (including
The Graduate
[1967],
The Exorcist
[1973] and
Jaws
[1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large.
Time
magazine put
Bonnie and Clyde
on its cover and announced, "The New Cinema: Violence Sex Art." The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (including
The Graduate
[1967],
The Exorcist
[1973] and
Jaws
[1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large.
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