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the Master of Contradictions: Thomas Mann and Making "The Magic Mountain"
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the Master of Contradictions: Thomas Mann and Making "The Magic Mountain" in Bloomington, MN
Current price: $28.00

the Master of Contradictions: Thomas Mann and Making "The Magic Mountain" in Bloomington, MN
Current price: $28.00
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Size: Hardcover
The arresting story of how Thomas Mann wrote
The Magic Mountain
as a defeated Germany descended into political chaos
“A lavish work of historical analysis that doubles as a kind of psychological thriller. Mann’s magnum opus is not just a novel, Jensen suggests, but a thinly veiled spiritual autobiography.”—Anna Ballan,
New Criterion
Like many writers of his generation, Thomas Mann (1875–1955) welcomed the outbreak of the First World War. He viewed it as a spiritual necessity, a chance to reassert German cultural dominance over Western ideas of democracy and enlightenment. Then, in 1924, he published
, a massive novel that culminates in the slaughter of war and foreshadows the Nazi terror to come. One of the central achievements of modernism,
bears testimony to its author’s dramatic political reorientation as a defender of democracy.
This poignant book is a biography of Mann’s great novel—its evolution from a short story into a twovolume masterpiece and one of the bestselling novels of the Weimar era. Deftly weaving together elements of biography, history, and literary criticism, Morten Høi Jensen reveals how writing
against a backdrop of world war, revolution, hyperinflation, and rising rightwing terror moved Mann to embrace the democratic and humanistic ideas he once scorned.
One hundred years after
was first published, at a time when democratic ideas are again under threat, Jensen reveals the universality and timeliness of Mann’s great novel—its stillresonant debates over democracy and tyranny, time and place, illness and death.
The Magic Mountain
as a defeated Germany descended into political chaos
“A lavish work of historical analysis that doubles as a kind of psychological thriller. Mann’s magnum opus is not just a novel, Jensen suggests, but a thinly veiled spiritual autobiography.”—Anna Ballan,
New Criterion
Like many writers of his generation, Thomas Mann (1875–1955) welcomed the outbreak of the First World War. He viewed it as a spiritual necessity, a chance to reassert German cultural dominance over Western ideas of democracy and enlightenment. Then, in 1924, he published
, a massive novel that culminates in the slaughter of war and foreshadows the Nazi terror to come. One of the central achievements of modernism,
bears testimony to its author’s dramatic political reorientation as a defender of democracy.
This poignant book is a biography of Mann’s great novel—its evolution from a short story into a twovolume masterpiece and one of the bestselling novels of the Weimar era. Deftly weaving together elements of biography, history, and literary criticism, Morten Høi Jensen reveals how writing
against a backdrop of world war, revolution, hyperinflation, and rising rightwing terror moved Mann to embrace the democratic and humanistic ideas he once scorned.
One hundred years after
was first published, at a time when democratic ideas are again under threat, Jensen reveals the universality and timeliness of Mann’s great novel—its stillresonant debates over democracy and tyranny, time and place, illness and death.
The arresting story of how Thomas Mann wrote
The Magic Mountain
as a defeated Germany descended into political chaos
“A lavish work of historical analysis that doubles as a kind of psychological thriller. Mann’s magnum opus is not just a novel, Jensen suggests, but a thinly veiled spiritual autobiography.”—Anna Ballan,
New Criterion
Like many writers of his generation, Thomas Mann (1875–1955) welcomed the outbreak of the First World War. He viewed it as a spiritual necessity, a chance to reassert German cultural dominance over Western ideas of democracy and enlightenment. Then, in 1924, he published
, a massive novel that culminates in the slaughter of war and foreshadows the Nazi terror to come. One of the central achievements of modernism,
bears testimony to its author’s dramatic political reorientation as a defender of democracy.
This poignant book is a biography of Mann’s great novel—its evolution from a short story into a twovolume masterpiece and one of the bestselling novels of the Weimar era. Deftly weaving together elements of biography, history, and literary criticism, Morten Høi Jensen reveals how writing
against a backdrop of world war, revolution, hyperinflation, and rising rightwing terror moved Mann to embrace the democratic and humanistic ideas he once scorned.
One hundred years after
was first published, at a time when democratic ideas are again under threat, Jensen reveals the universality and timeliness of Mann’s great novel—its stillresonant debates over democracy and tyranny, time and place, illness and death.
The Magic Mountain
as a defeated Germany descended into political chaos
“A lavish work of historical analysis that doubles as a kind of psychological thriller. Mann’s magnum opus is not just a novel, Jensen suggests, but a thinly veiled spiritual autobiography.”—Anna Ballan,
New Criterion
Like many writers of his generation, Thomas Mann (1875–1955) welcomed the outbreak of the First World War. He viewed it as a spiritual necessity, a chance to reassert German cultural dominance over Western ideas of democracy and enlightenment. Then, in 1924, he published
, a massive novel that culminates in the slaughter of war and foreshadows the Nazi terror to come. One of the central achievements of modernism,
bears testimony to its author’s dramatic political reorientation as a defender of democracy.
This poignant book is a biography of Mann’s great novel—its evolution from a short story into a twovolume masterpiece and one of the bestselling novels of the Weimar era. Deftly weaving together elements of biography, history, and literary criticism, Morten Høi Jensen reveals how writing
against a backdrop of world war, revolution, hyperinflation, and rising rightwing terror moved Mann to embrace the democratic and humanistic ideas he once scorned.
One hundred years after
was first published, at a time when democratic ideas are again under threat, Jensen reveals the universality and timeliness of Mann’s great novel—its stillresonant debates over democracy and tyranny, time and place, illness and death.

















