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The Executioner's Last Songs

The Executioner's Last Songs in Bloomington, MN
Current price: $11.99
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It's a great idea, an album to benefit the Illinois Death Penalty Moratorium Project, and who better to execute it (pun intended) than the linchpin of the Chicago
alt-country
movement,
Mekons
and
Waco Brother
member
Jon Langford
? He's reassembled the occasional
Pine Valley Cosmonauts
to back a bunch of artists on tales of death, murder, and execution. There's everything from the traditional and gruesome (
"Knoxville Girl"
from
Brett Sparks
and a very powerful, gritty
"Tom Dooley"
by
Steve Earle
, as graphic as any
gangsta rap
) to straight-up
country
(
Johnny Paycheck
's
"Pardon Me (I've Got Someone to Kill),"
which these days stands almost as a parody of a
song, albeit a chilling one), all the way to
standards
post-punk
feminist icon
Jenny Toomey
on a lovely acoustic rendition of
Cole Porter
"Miss Otis Regrets"
),
punk
(the
Adverts
'
"Gary Gilmore's Eyes"
interpreted by
Dean Schlabowske
), and originals (
Johnny Dowd
"Judgement Day,"
among others). It's an odd assemblage, but it hangs together very well, not just because of the thematic content, but also the intensity of the performances, like
Edith Frost
's luminous
"Sing Me Back Home"
or
Dianne Izzo
's raw take on
"Oh Death."
Apart from contributing guitar and some vocals throughout,
Langford
does get a couple of moments in the spotlight, duetting on the
Dowd
cut, then on
"The Plans We Made,"
a tale of love gone awfully wrong that he sings with fellow
Mekon
Sally Timms
. There's no bad cut here, although
Tony Fitzpatrick
"Idiot Whistle"
proselytizes a little too much, and
"The Hangman's Song"
Christa Meyer
Tim Kelley
of
Puerto Muerto
is just plain weird. But this album makes its points in very plain, blunt terms, and offers some excellent music along the way. If you still don't think music and politics can mix, start here. ~ Chris Nickson
alt-country
movement,
Mekons
and
Waco Brother
member
Jon Langford
? He's reassembled the occasional
Pine Valley Cosmonauts
to back a bunch of artists on tales of death, murder, and execution. There's everything from the traditional and gruesome (
"Knoxville Girl"
from
Brett Sparks
and a very powerful, gritty
"Tom Dooley"
by
Steve Earle
, as graphic as any
gangsta rap
) to straight-up
country
(
Johnny Paycheck
's
"Pardon Me (I've Got Someone to Kill),"
which these days stands almost as a parody of a
song, albeit a chilling one), all the way to
standards
post-punk
feminist icon
Jenny Toomey
on a lovely acoustic rendition of
Cole Porter
"Miss Otis Regrets"
),
punk
(the
Adverts
'
"Gary Gilmore's Eyes"
interpreted by
Dean Schlabowske
), and originals (
Johnny Dowd
"Judgement Day,"
among others). It's an odd assemblage, but it hangs together very well, not just because of the thematic content, but also the intensity of the performances, like
Edith Frost
's luminous
"Sing Me Back Home"
or
Dianne Izzo
's raw take on
"Oh Death."
Apart from contributing guitar and some vocals throughout,
Langford
does get a couple of moments in the spotlight, duetting on the
Dowd
cut, then on
"The Plans We Made,"
a tale of love gone awfully wrong that he sings with fellow
Mekon
Sally Timms
. There's no bad cut here, although
Tony Fitzpatrick
"Idiot Whistle"
proselytizes a little too much, and
"The Hangman's Song"
Christa Meyer
Tim Kelley
of
Puerto Muerto
is just plain weird. But this album makes its points in very plain, blunt terms, and offers some excellent music along the way. If you still don't think music and politics can mix, start here. ~ Chris Nickson