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The Downtown Anthology: 6 Hit Plays from New York's Downtown Theaters
The Downtown Anthology: 6 Hit Plays from New York's Downtown Theaters in Bloomington, MN
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Bringing together some of the innovative, thought-provoking, and daring new works from New York’s downtown theater scene,
The Downtown Anthology
offers a rich collection of plays from both up-and-coming and established playwrights.
Includes:
A Map of Virtue
by Erin Courtney;
We Are Proud To Present A Presentation About The Herero Of Namibia, Formerly Known As Southwest Africa, From The German Südwestafrika, Between The Years 1884-1915
by Jackie Sibblies Drury;
Trevor
by Nick Jones;
The Lily’s Revenge
by Taylor Mac;
Alice in Slasherland
by Qui Nguyen;
Phoebe in Winter
by Jen Silverman.
: Hugely entertaining tragicomedy... the genius of [Jones’s] play is how he has so cleverly humanized both characters.”
Chicago Sun Times
: offers so many incidental pleasures that theatrical time always a curiously malleable element seems to contract.”
New York Times
: With a Hitchcockian sensibility, [Courtney] makes psychodrama out of the mystery of what keeps people together even as imaginations and egos push them apart. Like a souvenir from a fleeting dream, this play will pass over you painlessly, and then it will linger.”
Backstage
The Downtown Anthology
offers a rich collection of plays from both up-and-coming and established playwrights.
Includes:
A Map of Virtue
by Erin Courtney;
We Are Proud To Present A Presentation About The Herero Of Namibia, Formerly Known As Southwest Africa, From The German Südwestafrika, Between The Years 1884-1915
by Jackie Sibblies Drury;
Trevor
by Nick Jones;
The Lily’s Revenge
by Taylor Mac;
Alice in Slasherland
by Qui Nguyen;
Phoebe in Winter
by Jen Silverman.
: Hugely entertaining tragicomedy... the genius of [Jones’s] play is how he has so cleverly humanized both characters.”
Chicago Sun Times
: offers so many incidental pleasures that theatrical time always a curiously malleable element seems to contract.”
New York Times
: With a Hitchcockian sensibility, [Courtney] makes psychodrama out of the mystery of what keeps people together even as imaginations and egos push them apart. Like a souvenir from a fleeting dream, this play will pass over you painlessly, and then it will linger.”
Backstage
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