Home
The Covers Record
Barnes and Noble
Loading Inventory...
The Covers Record in Bloomington, MN
Current price: $17.99


The Covers Record in Bloomington, MN
Current price: $17.99
Loading Inventory...
Size: CD
On the
The Covers Record
,
Chan Marshall
continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of
Pavement
's
"We Dance"
and
Smog
"Bathysphere"
are among her most distinctive performances. This collection includes songs originally by
Bob Dylan
the Rolling Stones
the Velvet Underground
Moby Grape
Michael Hurley
, and Anonymous.
Marshall
's sparest album yet,
uses guitar and piano as the only foils for her malleable, emotional voice. These tools are more than enough to turn
the Stones
' anthem
"(I Can't Get No) Satisfaction"
into a bluesy, slinky version emphasizing the song's tension and frustration as much as its jaded sexiness, and
"Kingston Town"
from a reggae standard into a hymnal reflection.
's gentle version of
Hurley
"Sweedeedee"
and plaintive reading of
the Velvets
'
"I Found a Reason"
recall the quietest, most spiritual moments from
Moon Pix
. This culminates on the cover of her own
"In This Hole"
from
What Would the Community Think
; one of the most drastic revisions, its soft pianos and serene vocals replace the original's turbulent anguish, reflecting her changing musical path.
explores many emotional directions, from her yearning version of
"Naked If I Want To"
to her brooding sensuality on
"Wild Is the Wind,"
to her down-home optimism on
"Paths of Victory."
"Salty Dog"
's lilting melody and humorous lyrics bring out
's Georgia twang, while her version of
"Red Apples"
shows off her voice's sensual lows and keening highs. The joyous cover of
"Sea of Love"
(originally by
Phil Phillips
) brings this accomplished, heartfelt
Covers Record
to a very happy end. ~ Heather Phares
The Covers Record
,
Chan Marshall
continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of
Pavement
's
"We Dance"
and
Smog
"Bathysphere"
are among her most distinctive performances. This collection includes songs originally by
Bob Dylan
the Rolling Stones
the Velvet Underground
Moby Grape
Michael Hurley
, and Anonymous.
Marshall
's sparest album yet,
uses guitar and piano as the only foils for her malleable, emotional voice. These tools are more than enough to turn
the Stones
' anthem
"(I Can't Get No) Satisfaction"
into a bluesy, slinky version emphasizing the song's tension and frustration as much as its jaded sexiness, and
"Kingston Town"
from a reggae standard into a hymnal reflection.
's gentle version of
Hurley
"Sweedeedee"
and plaintive reading of
the Velvets
'
"I Found a Reason"
recall the quietest, most spiritual moments from
Moon Pix
. This culminates on the cover of her own
"In This Hole"
from
What Would the Community Think
; one of the most drastic revisions, its soft pianos and serene vocals replace the original's turbulent anguish, reflecting her changing musical path.
explores many emotional directions, from her yearning version of
"Naked If I Want To"
to her brooding sensuality on
"Wild Is the Wind,"
to her down-home optimism on
"Paths of Victory."
"Salty Dog"
's lilting melody and humorous lyrics bring out
's Georgia twang, while her version of
"Red Apples"
shows off her voice's sensual lows and keening highs. The joyous cover of
"Sea of Love"
(originally by
Phil Phillips
) brings this accomplished, heartfelt
Covers Record
to a very happy end. ~ Heather Phares
On the
The Covers Record
,
Chan Marshall
continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of
Pavement
's
"We Dance"
and
Smog
"Bathysphere"
are among her most distinctive performances. This collection includes songs originally by
Bob Dylan
the Rolling Stones
the Velvet Underground
Moby Grape
Michael Hurley
, and Anonymous.
Marshall
's sparest album yet,
uses guitar and piano as the only foils for her malleable, emotional voice. These tools are more than enough to turn
the Stones
' anthem
"(I Can't Get No) Satisfaction"
into a bluesy, slinky version emphasizing the song's tension and frustration as much as its jaded sexiness, and
"Kingston Town"
from a reggae standard into a hymnal reflection.
's gentle version of
Hurley
"Sweedeedee"
and plaintive reading of
the Velvets
'
"I Found a Reason"
recall the quietest, most spiritual moments from
Moon Pix
. This culminates on the cover of her own
"In This Hole"
from
What Would the Community Think
; one of the most drastic revisions, its soft pianos and serene vocals replace the original's turbulent anguish, reflecting her changing musical path.
explores many emotional directions, from her yearning version of
"Naked If I Want To"
to her brooding sensuality on
"Wild Is the Wind,"
to her down-home optimism on
"Paths of Victory."
"Salty Dog"
's lilting melody and humorous lyrics bring out
's Georgia twang, while her version of
"Red Apples"
shows off her voice's sensual lows and keening highs. The joyous cover of
"Sea of Love"
(originally by
Phil Phillips
) brings this accomplished, heartfelt
Covers Record
to a very happy end. ~ Heather Phares
The Covers Record
,
Chan Marshall
continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of
Pavement
's
"We Dance"
and
Smog
"Bathysphere"
are among her most distinctive performances. This collection includes songs originally by
Bob Dylan
the Rolling Stones
the Velvet Underground
Moby Grape
Michael Hurley
, and Anonymous.
Marshall
's sparest album yet,
uses guitar and piano as the only foils for her malleable, emotional voice. These tools are more than enough to turn
the Stones
' anthem
"(I Can't Get No) Satisfaction"
into a bluesy, slinky version emphasizing the song's tension and frustration as much as its jaded sexiness, and
"Kingston Town"
from a reggae standard into a hymnal reflection.
's gentle version of
Hurley
"Sweedeedee"
and plaintive reading of
the Velvets
'
"I Found a Reason"
recall the quietest, most spiritual moments from
Moon Pix
. This culminates on the cover of her own
"In This Hole"
from
What Would the Community Think
; one of the most drastic revisions, its soft pianos and serene vocals replace the original's turbulent anguish, reflecting her changing musical path.
explores many emotional directions, from her yearning version of
"Naked If I Want To"
to her brooding sensuality on
"Wild Is the Wind,"
to her down-home optimism on
"Paths of Victory."
"Salty Dog"
's lilting melody and humorous lyrics bring out
's Georgia twang, while her version of
"Red Apples"
shows off her voice's sensual lows and keening highs. The joyous cover of
"Sea of Love"
(originally by
Phil Phillips
) brings this accomplished, heartfelt
Covers Record
to a very happy end. ~ Heather Phares

![Records [Red Vinyl] [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0603497857890_p0_v1_s600x595.jpg)



![Bad Self Portraits [Cloudy Pink Vinyl and Custom Color Cover Art] [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0701237705422_p0_v2_s600x595.jpg)











