After the raw power of influential predecessor
Consuming Impulse
,
Pestilence
returned with the more sophisticated
death metal
machinery of
Testimony of the Ancients
. Forced to compensate for the departure of bassist/lead throat
Martin VanDrunen
, guitarist
Patrick Mameli
took the reins -- both vocally and songwriting-wise -- and constructed this odd-for-the-death-metal-community high-minded concept record tackling strangely philosophical, and oddly compelling, subject matter (in a nutshell: a man seeking enlightenment succumbs to nefariously evil, ancient powers).
Mameli
publicly discussed his boredom with one-track-mind
and, along with like-minded American counterparts
Death
, pushed to redefine the genre's traditionally guttural borders. Musically,
Testimony
is given a soundtrack-ish element with the insertion of short, story line-enhancing instrumental/sound effect tracks between each song, and clean production values mesh with the group's more technical approach this time around, the musicianship solidified by highly respected session bassist
Tony Choy
(of
Cynic
and
Atheist
). As expected,
is littered with quick-stop tempo changes and memorable, high quality
death
/
thrash
riffs, most notably on the doomy lurch of
"Twisted Truth"
and the disjointed, cascading riffery of
"Prophetic Revelations."
However, it's the ultra-melodic passages of
"Presence of the Dead"
"Stigmatized"
that counterpoint
's precision brutality, therefore cementing the album's themes: Harmony vs. chaos, melody vs. brutality, the concept of eternity vs. the limitations of a man's mind. Whether or not the record is an across-the-board success can be debated;
's somewhat dispassionate death growl lacks definition at times, and some of the between-track interludes are a bit heavy-handed. In less capable hands,
could have been a laughable failure, but
's calculated, intellectual approach makes the record a minor triumph to be placed next to progressive
classics
Human
by
Unquestionable Presence
, and
Not to be Undimensional Conscious
Disharmonic Orchestra
. ~ John Serba