Telepathic with the Deceased in Bloomington, MN

Xasthur
's fourth album opens with a nearly four-minute
electronic
instrumental consisting of two chords in a long, droning pattern, sounding like the results of a jam session between
Trent Reznor
and
Steve Reich
. The nine tracks that follow add some more traditional
black metal
touches (hyper-speed and completely unfunky drumbeats, death growl vocals, guitar amps set on stun -- that sort of thing), but they're still all in the service of these lengthy, predominantly atmospheric drones. The vocals are deliberately inaudible, which is actually a huge plus because lyrics and vocals are invariably the weakest points of this style of music. Furthermore, the downright odd mix of the album as a whole makes it seem like every element of each arrangement is exactly the same (not particularly loud) volume as all the others; rather than simply making the record sound flat and boring, this somewhat paradoxically adds to the songs' power, because the listener invariably strains to pick out individual instruments within the onslaught. When the arrangements open up, like on the woozy, disorienting coda of
"Abysmal Depths Are Flooded,"
which sounds like
death metal
's answer to
My Bloody Valentine
's
Loveless
, the effect is astoundingly effective.
Death metal
goes
art rock
, then. ~ Stewart Mason