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Tales of Ordinary Madness

Tales of Ordinary Madness in Bloomington, MN
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Produced by
Chuck Leavell
,
Warren Haynes
' first solo album is a refreshing change of pace from his work with the latter-day incarnation of the
Allman Brothers Band
. Although the feel of this album is undeniably classic rock, with much of
Free
's bluesy swagger, it is also vaguely reminiscent of '80s
rock
at times (check out the
Mr. Big
-esque verse to
"Fire in the Kitchen"
). The focus on
Tales of Ordinary Madness
is clearly on
Haynes
' songwriting chops. For the most part, the songs on this record are tight and concise, focusing on immediate riffs, gritty vocals, and cool arrangements to sell them. This, however, is not to suggest that
has stopped tearing it up with his guitar, and he amply demonstrates why he is one of the most lauded straight-ahead
lead guitarists of the '90s. The various bands that back up
are all quite good, and notables
Bernie Worrell
and producer
Leavell
both make guest appearances on keyboards. Standout tracks include the mid-tempo
"Tattoos and Cigarettes,"
which is a great showcase for
' under appreciated vocal talents. The smoky
"Blue Radio"
is also notable for the artist's emotive singing. In fact, the most exceptional thing about
is his vocal performance, the overall impact of which stays with the listener far longer than any particular song or hook. There are some slow moments on this record, but it is great party music, and fans of
Haynes'
work with the
would surely be interested in this recording. ~ Daniel Gioffre
Chuck Leavell
,
Warren Haynes
' first solo album is a refreshing change of pace from his work with the latter-day incarnation of the
Allman Brothers Band
. Although the feel of this album is undeniably classic rock, with much of
Free
's bluesy swagger, it is also vaguely reminiscent of '80s
rock
at times (check out the
Mr. Big
-esque verse to
"Fire in the Kitchen"
). The focus on
Tales of Ordinary Madness
is clearly on
Haynes
' songwriting chops. For the most part, the songs on this record are tight and concise, focusing on immediate riffs, gritty vocals, and cool arrangements to sell them. This, however, is not to suggest that
has stopped tearing it up with his guitar, and he amply demonstrates why he is one of the most lauded straight-ahead
lead guitarists of the '90s. The various bands that back up
are all quite good, and notables
Bernie Worrell
and producer
Leavell
both make guest appearances on keyboards. Standout tracks include the mid-tempo
"Tattoos and Cigarettes,"
which is a great showcase for
' under appreciated vocal talents. The smoky
"Blue Radio"
is also notable for the artist's emotive singing. In fact, the most exceptional thing about
is his vocal performance, the overall impact of which stays with the listener far longer than any particular song or hook. There are some slow moments on this record, but it is great party music, and fans of
Haynes'
work with the
would surely be interested in this recording. ~ Daniel Gioffre