Take Ten in Bloomington, MN

Now listeners enter the heart of the
Paul Desmond
/
Jim Hall
sessions, a great quartet date with
Gene Cherico
manning the bass (
Gene Wright
deputizes on the title track) and
MJQ
drummer
Connie Kay
displaying other sides of his personality. Everyone wanted
Desmond
to come up with a sequel to the monster hit
"Take Five"
; and so he did, reworking the tune and playfully designating the meter as 10/8. Hence
"Take Ten,"
a worthy sequel with a solo that has a Middle-Eastern feeling akin to
's famous extemporaneous excursion with
Brubeck
in
"Le Souk"
back in 1954. It was here that
also unveiled a spin-off of the then-red-hot bossa nova groove that he called "bossa antigua" (a sardonic play-on-words meaning "old thing"), which laid the ground for
's next album and a few more later in the decade. Two of the best examples are his own tunes, the samba-like
"El Prince"
(named after arranger
Bob Prince
), an infectious number with on-the-wing solo flights that you can't get out of your head, and the haunting
"Embarcadero."
Hall
now gets plenty of room to stretch out, supported by
Kay
's gently dropped bombs, and he is the perfect understated swinging foil for the wistful altoist. There is not a single track here that isn't loaded with ingeniously worked out, always melodic ideas. ~ Richard S. Ginell