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Stroke Manor
Stroke Manor in Bloomington, MN
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Cartoonist
Terry LaBan
once drew a piece called "The Optipess" that reflected his belief that his pessimistic side frequently expected things to go wrong in his life, but at the same time his inner optimist strove to be happy with what fate would bring.
Scott McCaughey
has long been one of rock's greatest Optipess-ists; there is usually a snarky undertow in his lyrics and a fascination with bad luck and failure, but there's lots of humor and the music reflects a deep and genuine love for the healing powers of music. Both sides of this emotional equation are thrown into sharp relief on 2019's
Stroke Manor
from
McCaughey
's ongoing pop project
the Minus 5
. In November 2017,
suffered a stroke that forced him to spend three weeks in the hospital (ten days were in intensive care). The stroke rendered
mute for a while, and his doctor warned him he would probably never play music again. Just three days into hospitalization, he began writing lyrics as he struggled to force his brain to communicate, and by January,
was remarkably well enough to play a few songs at a benefit to help cover his medical bills. The lyrics he wrote in the hospital became the basis of
, and in the truest sense this is an album about the hard road of recovery and the fear and anxiety that is never far behind. Some of the words are stream-of-consciousness word association that have no literal meaning (the first verse of "Message of Mother" goes, "She said, but last when if/We combed together, two was/Shuttered bare, Ajo countess/I failed our backyard's fuzz"). Others are a stark reflection of his condition at its worst (most of "Top Venom" was assembled from statements on flash cards he used to communicate with his doctors, such as "I am short of breath" and "I am in pain"). Even the most upbeat numbers here, such as "Bleach Boys & Beach Girls" and "My Master Bull," feel off-kilter and uncertain. But this also sounds just like a
album; even when the lyrics are incomprehensible, the rhythms and cadences are clearly his, and the melodies are the sort of deliciously skewed '60s-influenced pop that has always been his strong suit (he didn't call one of these songs "Beatles Forever" for nothing). And while a bunch of
's friends pitched in to help, as is usually the case with
(among them
Peter Buck
,
Jeff Tweedy
Corin Tucker
Steve Wynn
, and
John Moen
),
is first and foremost the work of a one-of-a-kind talent who, for all his setbacks, has not lost his gifts or his determination to make the most of them.
is an Optipess album if there ever was one, but despite the dark clouds, the Opti side wins out, and this is a unique and truly powerful work. ~ Mark Deming
Terry LaBan
once drew a piece called "The Optipess" that reflected his belief that his pessimistic side frequently expected things to go wrong in his life, but at the same time his inner optimist strove to be happy with what fate would bring.
Scott McCaughey
has long been one of rock's greatest Optipess-ists; there is usually a snarky undertow in his lyrics and a fascination with bad luck and failure, but there's lots of humor and the music reflects a deep and genuine love for the healing powers of music. Both sides of this emotional equation are thrown into sharp relief on 2019's
Stroke Manor
from
McCaughey
's ongoing pop project
the Minus 5
. In November 2017,
suffered a stroke that forced him to spend three weeks in the hospital (ten days were in intensive care). The stroke rendered
mute for a while, and his doctor warned him he would probably never play music again. Just three days into hospitalization, he began writing lyrics as he struggled to force his brain to communicate, and by January,
was remarkably well enough to play a few songs at a benefit to help cover his medical bills. The lyrics he wrote in the hospital became the basis of
, and in the truest sense this is an album about the hard road of recovery and the fear and anxiety that is never far behind. Some of the words are stream-of-consciousness word association that have no literal meaning (the first verse of "Message of Mother" goes, "She said, but last when if/We combed together, two was/Shuttered bare, Ajo countess/I failed our backyard's fuzz"). Others are a stark reflection of his condition at its worst (most of "Top Venom" was assembled from statements on flash cards he used to communicate with his doctors, such as "I am short of breath" and "I am in pain"). Even the most upbeat numbers here, such as "Bleach Boys & Beach Girls" and "My Master Bull," feel off-kilter and uncertain. But this also sounds just like a
album; even when the lyrics are incomprehensible, the rhythms and cadences are clearly his, and the melodies are the sort of deliciously skewed '60s-influenced pop that has always been his strong suit (he didn't call one of these songs "Beatles Forever" for nothing). And while a bunch of
's friends pitched in to help, as is usually the case with
(among them
Peter Buck
,
Jeff Tweedy
Corin Tucker
Steve Wynn
, and
John Moen
),
is first and foremost the work of a one-of-a-kind talent who, for all his setbacks, has not lost his gifts or his determination to make the most of them.
is an Optipess album if there ever was one, but despite the dark clouds, the Opti side wins out, and this is a unique and truly powerful work. ~ Mark Deming
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