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Soul Perfection
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Soul Perfection in Bloomington, MN
Current price: $13.99

Soul Perfection in Bloomington, MN
Current price: $13.99
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Size: CD
Subtitled "complete
Jubilee
,
Sansu
SSS International
masters, 1963-1969," this is a thorough retrospective of the minor but quality soul singer's 1960s work. The
sides, all from 1963 and 1964, are decent New York pop-soul, several of them written by top NYC songwriter-producer
Bert Berns
, and most of them produced by
Jerry Leiber
and
Mike Stoller
.
"Cry to Me"
(also done by
Solomon Burke
, and covered by
the Rolling Stones
) was the only hit from this batch, but if you like the style you'll like what's here;
"His Kiss,"
for instance, sounds a lot like the songs
Burke
was doing at the same time. From 1965 to 1969
Harris
recorded under the direction of the great New Orleans producer and songwriter
Allen Toussaint
, who wrote every last one of the 20
sides on this disc that were cut during the collaboration. The presence of an ace producer-songwriter is often what's needed to make a good, but not great, vocalist like
into something special. While the
Toussaint
material here is satisfying New Orleans soul, it didn't get
over the hump commercially (although
"Nearer to You"
was an R&B hit), or endure as top-line classic soul. The tracks certainly cover a lot of territory, from the good commercial pop-soul of
"What a Sad Feeling"
and arching soul balladry of
"Can't Last Much Longer"
to numbers whose arrangements recall the New Orleans bounce of
Lee Dorsey
(who duets with
on a couple of songs). Some of the later tracks move into the kind of funk associated with
the Meters
, not a surprise as musicians from
are supposed to have supplied the rhythm section for at least some of these sides. ~ Richie Unterberger
Jubilee
,
Sansu
SSS International
masters, 1963-1969," this is a thorough retrospective of the minor but quality soul singer's 1960s work. The
sides, all from 1963 and 1964, are decent New York pop-soul, several of them written by top NYC songwriter-producer
Bert Berns
, and most of them produced by
Jerry Leiber
and
Mike Stoller
.
"Cry to Me"
(also done by
Solomon Burke
, and covered by
the Rolling Stones
) was the only hit from this batch, but if you like the style you'll like what's here;
"His Kiss,"
for instance, sounds a lot like the songs
Burke
was doing at the same time. From 1965 to 1969
Harris
recorded under the direction of the great New Orleans producer and songwriter
Allen Toussaint
, who wrote every last one of the 20
sides on this disc that were cut during the collaboration. The presence of an ace producer-songwriter is often what's needed to make a good, but not great, vocalist like
into something special. While the
Toussaint
material here is satisfying New Orleans soul, it didn't get
over the hump commercially (although
"Nearer to You"
was an R&B hit), or endure as top-line classic soul. The tracks certainly cover a lot of territory, from the good commercial pop-soul of
"What a Sad Feeling"
and arching soul balladry of
"Can't Last Much Longer"
to numbers whose arrangements recall the New Orleans bounce of
Lee Dorsey
(who duets with
on a couple of songs). Some of the later tracks move into the kind of funk associated with
the Meters
, not a surprise as musicians from
are supposed to have supplied the rhythm section for at least some of these sides. ~ Richie Unterberger
Subtitled "complete
Jubilee
,
Sansu
SSS International
masters, 1963-1969," this is a thorough retrospective of the minor but quality soul singer's 1960s work. The
sides, all from 1963 and 1964, are decent New York pop-soul, several of them written by top NYC songwriter-producer
Bert Berns
, and most of them produced by
Jerry Leiber
and
Mike Stoller
.
"Cry to Me"
(also done by
Solomon Burke
, and covered by
the Rolling Stones
) was the only hit from this batch, but if you like the style you'll like what's here;
"His Kiss,"
for instance, sounds a lot like the songs
Burke
was doing at the same time. From 1965 to 1969
Harris
recorded under the direction of the great New Orleans producer and songwriter
Allen Toussaint
, who wrote every last one of the 20
sides on this disc that were cut during the collaboration. The presence of an ace producer-songwriter is often what's needed to make a good, but not great, vocalist like
into something special. While the
Toussaint
material here is satisfying New Orleans soul, it didn't get
over the hump commercially (although
"Nearer to You"
was an R&B hit), or endure as top-line classic soul. The tracks certainly cover a lot of territory, from the good commercial pop-soul of
"What a Sad Feeling"
and arching soul balladry of
"Can't Last Much Longer"
to numbers whose arrangements recall the New Orleans bounce of
Lee Dorsey
(who duets with
on a couple of songs). Some of the later tracks move into the kind of funk associated with
the Meters
, not a surprise as musicians from
are supposed to have supplied the rhythm section for at least some of these sides. ~ Richie Unterberger
Jubilee
,
Sansu
SSS International
masters, 1963-1969," this is a thorough retrospective of the minor but quality soul singer's 1960s work. The
sides, all from 1963 and 1964, are decent New York pop-soul, several of them written by top NYC songwriter-producer
Bert Berns
, and most of them produced by
Jerry Leiber
and
Mike Stoller
.
"Cry to Me"
(also done by
Solomon Burke
, and covered by
the Rolling Stones
) was the only hit from this batch, but if you like the style you'll like what's here;
"His Kiss,"
for instance, sounds a lot like the songs
Burke
was doing at the same time. From 1965 to 1969
Harris
recorded under the direction of the great New Orleans producer and songwriter
Allen Toussaint
, who wrote every last one of the 20
sides on this disc that were cut during the collaboration. The presence of an ace producer-songwriter is often what's needed to make a good, but not great, vocalist like
into something special. While the
Toussaint
material here is satisfying New Orleans soul, it didn't get
over the hump commercially (although
"Nearer to You"
was an R&B hit), or endure as top-line classic soul. The tracks certainly cover a lot of territory, from the good commercial pop-soul of
"What a Sad Feeling"
and arching soul balladry of
"Can't Last Much Longer"
to numbers whose arrangements recall the New Orleans bounce of
Lee Dorsey
(who duets with
on a couple of songs). Some of the later tracks move into the kind of funk associated with
the Meters
, not a surprise as musicians from
are supposed to have supplied the rhythm section for at least some of these sides. ~ Richie Unterberger
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