Solar Eclipse

New Zealand's is the jazz project created by DJ, drummer, sound artist, composer, and dance music producer (aka ). 's music collects several genres under its umbrella of expression, including jazz fusion, psychedelia, spiritual jazz, ambient, and more. Their eponymous debut album appeared to great acclaim in 2020, and was followed by a remix collection. , their sophomore long-player (on ) expands the conversation immeasurably. Where their debut offered a group-wide juxtaposition of airy vanguard jazz alongside layers of subtle electronics, Latin and African rhythms, and various spiritual and modal approaches, is a much more grounded affair, though no less ambitious. The prime inspiration here appears to be the recordings of from 1972's through 1975's , but there's also considerable input sourced from the catalog, electro and dub traditions (think ), world grooves, and the nu-jazz scene of Wellington, New Zealand. Opener "Kihi" offers stacked guitars standing for sitars (a la ) atop intricate, pulsing polyrhythms, melodic fretless basslines, vibes, and keyboards. Single "Drumatix" is a short, polished groover offering a juxtaposition of neo-electro and smooth jazz with a complex rhythmic palette. "Revolutions" actually re-creates the rhythm track from 's "Boogie Woogie Waltz" adding a bass clarinet in place of 's soprano sax. It also references subtler keyboard moments in ' "It's About That Time" as wah-wah guitars and layers of hand percussion and a drum kit frame an exchange between vibraphone, bass, and guitars. "Absolvo" inverts the vamp from 's "A Love Supreme," interlocking it with a theme articulated by alto sax and bass clarinet amid ambient production and trancey percussion. "Interlock" weds wah-wah keys, electric pianos, synthetic drum samples, and electric guitars in a sinister, funky vamp, and the title cut follows with syncopated, double-timed Latin and Caribbean rhythms with sitar effects, washed-out rhythm tracks, and fluid, yet busy -esque keyboards. "Sunrise Motif" really sounds like playing harp with . The instrument interacts with tinkling bell-like keyboards, strings, vibes, and hand percussion as it swirls and floats, surrounded by a production palette of abundant atmospherics and an Indian modal tinge. "Plazma Plaza" offers the kind of hybrid beat collision evident in much neu jazz from the U.K., with jagged, synthetic breaks, ambient washes, and squiggly, rubbery basslines. 's plainly boasts of his influences on . What he contributes to the dialogue is a sophisticated sense of harmony, a deft rhythmic approach as both a drummer/percussionist and producer as he embellishes, subtracts, extends, and reframes '70s electric jazz in dialogue with global music traditions, 21st century production, and the aesthetics of modern club culture. ~ Thom Jurek