Shock Treatment: Expanded 25th Anniversary Edition

"I believe Karen Finley's un-careful rage was threatening because it is filled with grief, humor, and a profound passion for this life. Rereading it, I feel refreshed, as if I've been self-policing for years by tolerating boring, stupid things and now I'm free again. Thank you, Karen."—Miranda July, author of " is as timely and crucial as ever, inspiring feminist rage and wildness just as when it first blew my mind twenty-five years ago."—Michelle Tea, author of "Karen Finley is an iconoclast who, ironically, became an icon when her work in was targeted by right wing politicians. This important book is as necessary and vital today as it was twenty-years ago."—Sapphire, author of , among other works "Reading today reminds me that Karen Finley has always been a writer of conscience. I remember seeing and hearing her read "The Black Sheep" off a piece of legal paper in the middle of a play at The Kitchen. No frills. She simply re-invented the poem."—Eileen Myles, author of "How exciting for you, me, Karen, and the world—to have an occasion to revisit this period of powerful and earth-shaking work. Culture wars? Those bastards had no idea what they were up against."—Justin Vivian Bond, author of "Finley’s is more than just 'art.' It remains a searing and necessary indictment of America, a call to arms, a great protest against the injustices waged on queers and women during a time in recent American history where government intervention and recognition was so desperately needed. Twenty-five years on, Finley’s work continues to shock and provoke readers and audiences, demonstrating the powerful cultural and political impact her work has had on modern American art and performance art."—Nathan Smith, No other artist captures the drama and fragility of the AIDS era as Karen Finley does in her 1990 classic book . "The Black Sheep," "We Keep Our Victims Ready," "I Was Never Expected to Be Talented,"—these are some of the seminal works which excoriated homophobia and misogyny at a time when artists and writers were under attack for challenging the status quo. This twenty-fifth anniversary expanded edition features a new introduction in which Finley reflects on publishing her first book as she became internationally known for being denied an NEA grant because of perceived obscenity in her work. She traces her journey from art school to burlesque gigs to the San Francisco North Beach literary scene. A new poem reminds us of Finley's disarming ability to respond to the era's most challenging issues with grace and humor. raw and transgressive performances have long provoked controversy and debate. She has appeared and exhibited her visual art, performances, and plays internationally. The author of many books including , , and , she is a professor at the Tisch School of Art and Public Policy at NYU.