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Shadows

Shadows in Bloomington, MN

Current price: $15.99
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Shadows

Shadows in Bloomington, MN

Current price: $15.99
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Size: CD

Get it at Barnes and Noble
Since 2000's
Howdy!
, it seems as if
Teenage Fanclub
's three singer/songwriters -- guitarist
Norman Blake
, bassist
Gerard Love
, and guitarist
Raymond McGinley
-- are on track to deliver a new album every five years. For longtime fans who remember the first time they heard
"The Concept"
off the band's classic 1991 album
Bandwagonesque
, that level of output may seem a bit stingy, but when considering
TFC
's consistently high-quality songwriting, no true "Fannie" fan is likely to complain. In that sense,
's 2010 album
Shadows
is a sparkling and reflective follow-up to the band's stellar 2005 effort,
Man-Made
. Released on the band's own
Pema
imprint in the U.K. --
Merge
in the U.S. --
picks up on the introspective, world-weary quality of
but also delivers a bit of the classic bright pop the band is known for. Where
found the band struggling with feeling like life was an illusion on the dogged
"It's All in My Mind,"
here you get
Love
's breezy baroque pop statement of purpose
"Sometimes I Don't Need to Believe in Anything,"
with its chorus of layered synth, strings, flutes, and sundry wind instruments. Similarly,
Blake
's leadoff single
"Baby Lee"
is a romantic '60s-styled folk-rocker that veritably shimmers with positive vibes. Elsewhere,
's
"Into the City"
is a sunshine pop/country-rock love letter to urban days in the sun and
McGinley
"Today Never Ends"
is slow-burn psychedelic country-rock rumination on the past, the present, and a perfect day that never ends. If the day is as sun-drenched and relaxed as the songs on
implies, then may it and
go on and on. ~ Matt Collar
Since 2000's
Howdy!
, it seems as if
Teenage Fanclub
's three singer/songwriters -- guitarist
Norman Blake
, bassist
Gerard Love
, and guitarist
Raymond McGinley
-- are on track to deliver a new album every five years. For longtime fans who remember the first time they heard
"The Concept"
off the band's classic 1991 album
Bandwagonesque
, that level of output may seem a bit stingy, but when considering
TFC
's consistently high-quality songwriting, no true "Fannie" fan is likely to complain. In that sense,
's 2010 album
Shadows
is a sparkling and reflective follow-up to the band's stellar 2005 effort,
Man-Made
. Released on the band's own
Pema
imprint in the U.K. --
Merge
in the U.S. --
picks up on the introspective, world-weary quality of
but also delivers a bit of the classic bright pop the band is known for. Where
found the band struggling with feeling like life was an illusion on the dogged
"It's All in My Mind,"
here you get
Love
's breezy baroque pop statement of purpose
"Sometimes I Don't Need to Believe in Anything,"
with its chorus of layered synth, strings, flutes, and sundry wind instruments. Similarly,
Blake
's leadoff single
"Baby Lee"
is a romantic '60s-styled folk-rocker that veritably shimmers with positive vibes. Elsewhere,
's
"Into the City"
is a sunshine pop/country-rock love letter to urban days in the sun and
McGinley
"Today Never Ends"
is slow-burn psychedelic country-rock rumination on the past, the present, and a perfect day that never ends. If the day is as sun-drenched and relaxed as the songs on
implies, then may it and
go on and on. ~ Matt Collar

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