Sextant in Bloomington, MN

When
Herbie Hancock
left
Warner Bros.
in 1971 after releasing three musically sound but critically and commercially underappreciated albums --
Crossings
,
Mwandishi
, and
Fat Albert Rotunda
-- he was struggling. At odds with a
jazz
establishment that longed for a return to his
Blue Note
sound, and possessing a fierce consciousness struggle with
free
music and the full-on embrace of electricity after his tenure with
Miles Davis
Hancock
was clearly looking for a sound. Before diving into the funky waters of
Headhunters
in 1973,
and his tough group (including drummer
Billy Hart
, trombonist
Julian Priester
, trumpeter
Eddie Henderson
, saxophonist
Bennie Maupin
, and bassist
Buster Williams
) cut this gem as Hancock's debut for
Columbia
. Like its
Warner
predecessors, the album features a kind of post-
modal
impressionism that traces the edges of
funk
. Its three long tracks are exploratory investigations into the nature of how mode and interval can be boiled down into a minimal stew, then extrapolated upon for soloing and "riffing." In fact, in many cases, the interval is the riff, evidenced by
"Rain Dance."
The piece that revealed the true
direction, however, was
"Hidden Shadows,"
with its choppy basslines and heavy percussion -- aided by the inclusion of
Dr. Patrick Gleeson
and
Buck Clarke
.
Dave Rubinson
's production brought
's piano more into line with the rhythm section, allowing for a unified front in the more abstract sections of these tunes. The true masterpiece on the album, though, is
"Hornets,"
an eclectic, electric ride through both the dark
ambience of
Miles
'
In a Silent Way
and post-
Coltrane
harmonic aesthetics. The groove is in place, but it gets turned inside out by
Priester
Maupin
on more than one occasion and
just bleats with the synth in sections. Over 19 minutes in length, it can be brutally intense, but is more often than not stunningly beautiful. It provides a glimpse into the music that became
, but doesn't fully explain it, making this disc, like its
predecessors, true and welcome mysteries in
's long career. ~ Thom Jurek