Schoolyard Ghosts in Bloomington, MN

The partnership of
Tim Bowness
and
Steven Wilson
has continued in its own steady, quietly involving way for at least two decades, but
No Man
just seem to reach a new peak every time they release an album, and 2008's
Schoolyard Ghosts
, appearing after a five-year gap, continues that streak. Following the epic textures of
Together We're Strangers
with a slight return to the more directly melodic sound of
Returning Jesus
may initially seem retrograde, but in point of fact,
finds
Wilson
's ever evolving obsession with sonic possibilities in full effect, as he gently traces everything from string swells and haunting vocal sighs to soft electronic chimes behind the sweet combination of his guitar and
Bowness
' richly passionate voice. Beginning with what is by now almost a band trademark -- a portrait of nostalgic reflection, titled
"All Sweet Things"
--
create one breathtaking song after another, with the steel guitar twang and sweeping orchestrations of
"Wherever This Is Light"
rivaling
Scott Walker
for sheer impact. Not everything is restrained beauty by any means --
"Pigeon Drummer"
intersperses skeletal guitar and filtered singing with bombastic orchestrations and feedback -- but a song like
"Truenorth"
practically defines it, at nearly a quarter of an hour the most
Together We're Stranger
-like, but very much sounding of this album, lushly elegant with cascading strings and woodwinds. Meanwhile, the concluding
"Mixtaped,"
in title alone another evocation of a time no longer present, gives the duo a chance to create some of their most shadowy work together, the texture of the drumming and looming guitar almost a tip of the hat to
Bark Psychosis
. Strange to say, perhaps, but at its considerable best,
reaches the same level of melodramatic yet personal passion as everything from the ending of
Dickens
'
Great Expectations
to
Hayao Miyazaki
's
Spirited Away
.
are far from completing their striking journey. ~ Ned Raggett