Spanning two discs,
Goldie
's debut album,
Timeless
, was so astonishing that, in many ways, it painted
into a corner for his follow-up,
SaturnzReturn
.
not only had to equal its consistency, but he had to offer fresh dimensions to the now-familiar drum'n'bass rhythms. Superficially,
at least delivers in terms of scale and ambition. Running a little over two-and-a-half hours and including a mini-symphony as its first track, the double-disc set is bursting with promise. Unfortunately, it fails to reach the dizzying heights of its predecessor, and its very ambitions feel like burdens.
"Mother,"
the amorphous hour-long pseudo-symphony that comprises the first disc, collapses before the drums are even heard. After 20 minutes of atmosphere, a surge of intriguing rhythms wash up, only to fade away after another 20 minutes to reveal a simplistic symphonic theme that is never developed. If the second disc had been a masterpiece, it would have been easy to forgive the excesses of
but it suffers from a near-crippling schizophrenia. Divided between harrowing, dark aural journeys and slick, club-ready R&B, the disc never develops a consistent mood and often is sunk by overlong, misguided tracks. With its waves of processed
Noel Gallagher
guitars and garbled
vocals,
"Temper Temper"
never quite hits as hard as it should, and it never has the impact of the gutsy
KRS-One
collaboration,
"Digital."
Those two vocal tracks are hardly the closest
comes to accessibility --
"Believe"
and
"I'll Be There for You"
have slick soul textures, with layered keyboards, wah-wah guitars, and wailing divas. There are some very provocative textures scattered throughout these ten tracks, and with some serious editing
would have been a powerful record, but its bloated running time and formless songs only obscure
's considerable talent. ~ Stephen Thomas Erlewine