The following text field will produce suggestions that follow it as you type.

Sabotage
Sabotage

Sabotage in Bloomington, MN

Current price: $12.99
Loading Inventory...
Get it at Barnes and Noble

Size: CD

Get it at Barnes and Noble
Sabotage
is the final release of
Black Sabbath
's legendary First Six, and it's also the least celebrated of the bunch, though most die-hard fans would consider it criminally underrated.
came at a time when
Sabbath
was turning in one platinum record after the next, and critics were finally starting to appreciate the band as much as their fans. It also came during a lengthy and bitter legal battle between the band and their former management, which no doubt informed lyrical themes of betrayal and paranoia as well as the pervasive overall feeling of life itself unraveling. Musically, the band continues further down the proto-prog metal road of
Sabbath Bloody Sabbath
, and this time around, the synthesizers feel more organically integrated into the arrangements. What's more, the song structures generally feel less conventional and more challenging. There's one significant exception in the blatant pop tune "Am I Going Insane (Radio)," which rivals "Changes" as the most fan-loathed song of the glory years, thanks to its synth-driven arrangement (there isn't even a guitar riff) and oft-repeated one-line chorus. But other than that song and the terrific album-opener "Hole in the Sky," the band largely eschews the standard verse-chorus format, sticking to one or two melody lines per riffed section and changing up the feel before things get too repetitive. The prevalence of this writing approach means that
rivals
Vol. 4
as the least accessible record of
's early material. However, given time, the compositional logic reveals itself, and most of the record will burn itself into the listener's brain just fine. The faster than usual "Symptom of the Universe" is a stone-cold classic, its sinister main riff sounding like the first seed from which the New Wave of British Heavy Metal would sprout (not to mention an obvious blueprint for
Diamond Head
's "Am I Evil?"). Like several songs on the record, "Symptom" features unexpected acoustic breaks and softer dynamics, yet never loses its drive or focus, and always feels like
. Less immediate but still rewarding are "Thrill of It All," with its triumphant final section, and the murky, sullen "Megalomania," which never feels as long as its nearly nine-and-a-half minutes. But more than the compositions, the real revelation on
is
Ozzy Osbourne
, who turns in his finest vocal performance as a member of
. Really for the first time, this is the
Ozzy
we all know, displaying enough range, power, and confidence to foreshadow his hugely successful solo career. He saves the best for last with album-closer "The Writ," one of the few
songs where his vocal lines are more memorable than
Tony Iommi
's guitar parts; running through several moods over the course of the song's eight minutes, it's one of the best performances of his career bar none. Unfortunately, after
, the wheels of confusion came off entirely. Technically, there were two more albums released, but for most fans, the story of
Osbourne
-era
effectively ends here. ~ Steve Huey
Powered by Adeptmind