“Tarfia Faizullah is a poet of brave and unflinching vision.” —Natasha TretheweySomebody is always singing. Songswere not allowed. Mother said,Dance and the bells will sing with you.I slithered. Glass beneath my feet. Ilocked the door. I did notdie. I shaved my head. Until the hornsI knew were there were visible.Until the doorknob went silent. —from “100 Bells”Registers of Illuminated Villages is Tarfia Faizullah’s highly anticipated second collection, following her award-winning debut, Seam. Faizullah’s new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voices—elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, “Register of Eliminated Villages,” suggests illuminated texts, one a Qur’an in which the speaker’s name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, and—even in its unsparing brutality—full of love.