Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? - Could the value range be increased? - Could the number of values be reduced? - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? - Do the shadow shapes describe the form? - Are the shadows warm enough? - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? - Is the underlying form being communicated? - Is the symmetry in perspective? - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?