Playing with Fire in Bloomington, MN

Appropriately preceded by the mind-melting crunch of the
"Revolution"
single,
Playing with Fire
proved to be the end of
Spacemen 3
as a functioning band, but in truly spectacular fashion. Exploring both the depths of serene, agog beauty and sheer tape-shredding chaos,
pushed the extremes of
The Perfect Prescription
to an even further edge. It's little surprise that
Pierce
and
Sonic
couldn't find themselves properly working together after it, but even less that hordes of bands to follow would rank
as the equal (or better) of
psychedelia
's '60s/'70s forebears.
himself is quoted in one reissue's liner notes as feeling the album "was the refining point of a lot of my theories on minimalism being maximalism" -- as apt a description as any. One of his songs,
"How Does It Feel?,"
sums it up by using a series of notes echoing off into the distance, again and again. With future
Spiritualized
bassist
Will Carruthers
in place of
Bain
, the trio (and uncredited drummer) created glazed, liquid songs with subtle arrangements and sheer reveling in aural joys. Flange is everywhere, as is echo, full dynamic stereo mixes and more, a feast of sound. When aiming toward a gentler, hushed sound, most notably on
's compositions, the incorporation of
gospel
power filtered through the band's own perspective results in wonders, as heard on
"Come Down Softly to My Soul"
and the album closing
"Lord Can You Hear Me?"
As for the louder end of things, besides the awesome
itself, a slow burn blast that just keeps getting more and more obsessive and frenetic as it goes,
calling for a release of energy in a mere five seconds, the other complete freakout is
"Suicide."
An instrumental tribute to the New York synth pioneers,
keep the minimalism and up the feedback with astonishing results. Initial repressings of the album in the mid-'90s included tracks from the
Revolution
Threebie
singles, while an elaborate reissue in 1999 also including a full extra disc of demos and rarities, including covers of the
Perfect Disaster
's
"Girl on Fire"
and the
Troggs
'
"Anyway That You Want Me"
-- eventually
's first single. ~ Ned Raggett