Perfection

While has never lacked ideas or inspiration, he has lacked, in recent years, a decent recording budget to make those ideas truly come to life. A case in point is on the label. Here are 13 new tracks, all but one are single-word titles. The mood overall is light, relaxing, groove-based, and full of open spaces. The trouble lies in how ' production ideas -- the use of synth drums, samples, and plenty of compression -- are hurt by his lack of being able to use them sonically. This set sounds like a demo tape or a rehearsal, not because the music is lightweight, because it's not., but because it simply sounds bad, incomplete, like the mix never happened, like the gear wasn't up to speed. is the king of slippery, feel-good grooves and was the father of " ," though his has always been infinitely more complex and harmonically engaging. But he's always had the technical space to make his beautiful tunes come to life. Not so on ; everything sounds flat, unfinished, not cared for properly. It's too bad because there are some tunes here that really get it right. such as (given the heavy vibraphone in the cut , one has to wonder if it is a tribute to and his years in the ). It's beautifully arranged and subtly played. Another standout is the breakbeat in In all, is anything but; it's a disappointment, but not for lack of inspiration. ~ Thom Jurek