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Paul Reale: American Mosaic
Paul Reale: American Mosaic in Bloomington, MN
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Paul Reale
, who passed away in 2020, was perhaps better known as a teacher at the University of California at Los Angeles than as a composer, but his composing career accelerated in later life. This release, mostly recorded in 2022, offers a useful introduction to his work. Physical album buyers get his own highly informative notes, in which he expresses admiration for
Roy Harris
,
David Diamond
, and other composers whom he terms "Amerikanische." These provide a clue to
Reale
's extended tonal idiom and his feel for programmatic music, but his structures, which he calls quasi-cinematic, are his own, as are the jazz and popular music influences. The three pieces here seem episodic but reveal inner connections on repeated hearings. Hear the
Piano Concerto No. 1
, featuring
himself on the piano (although it is unclear how this could have occurred, for the notes give a 2022 recording date for the piece, which also lists him as producer). It features quotations of the African American spiritual
I'm On My Way to Canaan's Land
, inspired when the composer heard gospel singer
Mahalia Jackson
perform that hymn. The quotations are subtle and fragmentary in the first two movements, cohering dramatically in the finale. The
Piano Sonata No. 6 ("The Waste Land")
is indeed based on
T.S. Eliot
's poem, and its four sections evoke moods from that work. Again,
's structures are shifting, not general, seeming to pick up hidden currents in
Eliot
's poetry. The opening
Concerto for cello, strings, and percussion ("Live Free or Die")
was composed in 17 days after
received his terminal diagnosis. The
Yale Symphony Orchestra
under conductor
William Boughton
seems to have a real affinity for the two orchestral works, although the two collegiate auditoriums where the music was recorded do the music no favors. Performers and listeners interested in extensions of the mid-20th century American style are well-advised to check out
's music, which will be unfamiliar to many of them. ~ James Manheim
, who passed away in 2020, was perhaps better known as a teacher at the University of California at Los Angeles than as a composer, but his composing career accelerated in later life. This release, mostly recorded in 2022, offers a useful introduction to his work. Physical album buyers get his own highly informative notes, in which he expresses admiration for
Roy Harris
,
David Diamond
, and other composers whom he terms "Amerikanische." These provide a clue to
Reale
's extended tonal idiom and his feel for programmatic music, but his structures, which he calls quasi-cinematic, are his own, as are the jazz and popular music influences. The three pieces here seem episodic but reveal inner connections on repeated hearings. Hear the
Piano Concerto No. 1
, featuring
himself on the piano (although it is unclear how this could have occurred, for the notes give a 2022 recording date for the piece, which also lists him as producer). It features quotations of the African American spiritual
I'm On My Way to Canaan's Land
, inspired when the composer heard gospel singer
Mahalia Jackson
perform that hymn. The quotations are subtle and fragmentary in the first two movements, cohering dramatically in the finale. The
Piano Sonata No. 6 ("The Waste Land")
is indeed based on
T.S. Eliot
's poem, and its four sections evoke moods from that work. Again,
's structures are shifting, not general, seeming to pick up hidden currents in
Eliot
's poetry. The opening
Concerto for cello, strings, and percussion ("Live Free or Die")
was composed in 17 days after
received his terminal diagnosis. The
Yale Symphony Orchestra
under conductor
William Boughton
seems to have a real affinity for the two orchestral works, although the two collegiate auditoriums where the music was recorded do the music no favors. Performers and listeners interested in extensions of the mid-20th century American style are well-advised to check out
's music, which will be unfamiliar to many of them. ~ James Manheim
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